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Überschrift

The Hateful Eight 2015

Dauer

176 Konzept

Abgabe

2015-12-25

Qualität

MPE 720p
DVDScr

Buchgattung

Crime, Drama, Mystery, Western

Jargon

Español, English

castname

Arsh
A.
Jenina, Alyss A. Praneel, Wall E. Nisanur









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The Hateful Eight is an epic film. Epic the way Ben-Hur was epic. It’s filmed on rare Ultra Panavision 70. The film crew altered Modern cameras to work with UP70. Quentin Tarantino knew there were two types of film viewers. Those who would see his film as he intended and those who would not. Tarantino isn’t an idiot and knows people will pirate his and watch it on devices he can’t control [Note 1]. To combat this Tarantino made a version of the film which requires viewing in a theatre. He did this with the 70mm roadshow production of The Hateful Eight.

The roadshow production of The Hateful Eight is a great experience. I was born in 1981, after roadshow theatrical releases fell out of popularity so I’ve never experience a roadshow theatrical release. Roadshow theatrical releases were (or are) a limited engagement showing of a movie before general release. The Hateful Eight’s roadshow includes a beautifully produced souvenir program — already available on Ebay. The lights go out fifteen minutes prior to the film starting and no previews are shown. Roadshows aren’t their to advertise. Their purpose is to wow you with The Hateful Eight in 70mm.

I was only eleven when Reservoir Dogs was released and thirteen when Pulp Fiction was released. Arguably, a little too young to watch these films. Although I knew what sex was and how it worked, My young mind didn’t know about paraphilia or unusual sexual interests. I don’t think I even had a working idea of how homosexual sex worked. This would have made watching scenes from Pulp Fiction rather difficult for me at that age. [Note 2]
Unlike many, I saw Reservoir Dogs before Pulp Fiction. Although I like the editing style of Pulp Fiction, I think Reservoir Dogs is a better film. What makes Reservoir Dogs great is the lack of financing. Financial constraints didn’t limit Tarantino and Reservoir Dogs is dialogue heavy with very impactful scenes revolving around a single location: The Warehouse.

The high-level idea of The Hateful Eight, Quentin Tarantino’s Eighth film, which implies the title is deliberate, is about a bounty hunter escorting a prisoner (the only female in the film) to “hang by the neck until they are dead” in Red Rock. However, a blizzard prevents the prisoner from reaching the final location and the prisoner along with eight others are stuck in a single room: Minnie’s Haberdashery.

The Hateful Eight is filmmaking at it’s finest. Like Reservoir Dogs it could have been a theatrical production. It didn’t have to be a movie. If there are special effects they aren’t noticeable. There is violence and blood, which you expect, but comparing to other Quentin Tarantino’s films it’s tame. There is no dancing to a radio tune while Michael Madsen conducts a horrific act. But, the strongest story-telling scene will stick with you. A flashback overlaid with a monologue performed by Samuel L. Jackson that demonstrates the artistic ability of Tarantino. The editing between Major Warren’s narrative and what General Smithers envisions can only be told with film. The scene contrasts the alluring story with the distasteful act. A compliment to the editor who doesn’t pull you out of the monologue, but enhances it.
I’ve only seen, read, or heard a few interviews with Tarantino, but I don’t get the impression he does anything on accident. Tarantino puts too much thought into his ideas and works. When Bret Easton Ellis interviewed Tarantino he stated:

> My scripts are meant to be read.
> [The Bride] has stashed all this shit in the ground. So, she is going to dig a hole and pull up a footlocker and it will have passports, money, and weapons. All the things she will need for her revenge. But, the way I have it written in the script is she needs to find a rock and turn it over to find an ‘X’ on the rock. She turns over the rock and finds the ‘X’.
>
> If the ‘X’ hadn’t have been there or if she couldn’t have found rock, she would have taken it as a sign that her revenge never should happen and she would have dropped the whole idea.

These are things you can’t show on film.

You get this same type of feeling when watching The Hateful Eight. It is hard to imagine that Tarantino didn’t have a few one-on-one days with each actor explaining to their character’s fully-developed backstory which isn’t depicted in the film. Only additional viewings will explain each characters motives.

Many of my college friends who enjoyed Kill Bill Volume One didn’t like Kill Bill Volume Two even though Kill Bill Volume Two is the stronger of the two films. The reason? The dialogue. The dialogue is the best part of The Hateful Eight. Although The Hateful Eight is three hours long you don’t feel it. The film engrosses you with the characters, their conversations, and the conflict between them. The acting is superb.

My wife said that this is her favorite Quentin Tarantino film. I don’t know if I disagree and although Reservoir Dogs holds a special place with me, The Hateful Eight is a much more mature film. Tarantino has had 23 years to perfect his craft and it shows. Although I liked Django Unchained, it isn’t as good as The Hateful Eight.

The Hateful Eight may be one of the better films I’ve seen in the past few years.

_Note 1: Mark Z. Danielewski’s House of Leaves is a piece of art as much as a novel. But, there isn’t a digital version. This is deliberate. Danielewski can’t determine a way for readers to digitally consume the book. Contrary to what you expect, this control is more easily achieved with print than film._

_Note 2: Like all Quentin Tarantino’s movies, The Hateful Eight isn’t for children. Quentin Tarantino is great because of his dedication to his art. Tarantino made a purposeful choice to not have a relationship or children because it would affect his art. I wonder if his decision is partially due to discussions around the dinner table about what Daddy does without showing them. I don’t know if Tarantino has actually thought about the ramifications of raising a child in the dark to his art until a certain age. Maybe he hasn’t. But, If I was in his shoes, I would have internal conflict about not wanting to twist my kid’s minds until they were of age to deal with my creations. But, I am probably projecting._
The hateful eight is well directed, good photography and has a great OST, with a good melody from Ennio Morricone (although it is just that, not much more) and, as usual, well selected songs by Tarantino.

The best of the movie is its cast, with the exception of Michael Madsen which I think is terrible but Tarantino seems to love. As usual, good performance by Samuel L. Jackson and superb ones by Kurt Russel and Jennifer Jason Leigh. Tim Roth makes a great role in a character that seems as if it was made for Chistoph Waltz, though. IMHO, the best performance is from Walton Goggins, though. A usual secondary which has the chance in this movie to be more than just that.

All in all, a Tarantino movie with what you would expect from one of his movies.

But ... the problem is precisely that there is everything to be expected, but nothing else. The typical long and witty dialogues. The typical stories and anecdotes distracting the viewer attention from the important happenings ongoing, but just that. Hence, this movie stays half way to be a really good movie and it remains just a enjoyable movie, without much more expectations.
> ...And then there were none.

I'm neither Tarantino nor Nolan's fan, but love watching their movies. As usual these director's films are highly expected by all, that's including me. This one started off quite like a normal western, so I thought it wouldn't be like the director's previous film 'Django Unchained'. In fact, it was considered for a sequel to that, but the director felt this story and the previous character Django failed to blend, hence 'The Hateful Eight' was born with Samuel L. Jackson playing an important role.

Solid eight from me for this QT's eighth film. But I felt the movie was kind of inspired by 'And Then There Were None'. It was not about to find who's the killer or next to be killed. The character introductions were at its best and an excellent twist in the middle. This sets in a cabin with eight strangers struck there after the snowstorm. But after an unexpected event the suspicious started to mount and brings chaos. Then takes us to the flashback to reveal something the story that did not mention in the earlier part which's very essential for coming back to the finale.

The 80% of the movie was just talking, but the remaining stunt sequences were so powerful. All the eight, plus, supporting character were exceptional, but the director's favourite Samuel L. Jackson nailed it as his character is a bit above from the rest. The entire film was shot is a couple of locations, but the major portion takes place in a cabin and it was a limited cast movie. These days, western movies are shrinking, only a very-very few good movies are made every year. In the time of superheroes, a movie like this is really very precious, so definitely recommend it.

8/10
Marmite at Minnie's Haberdashery.

Quentin Tarantino writes and directs and it stars Samuel L. Jackson, Kurt Russell, Jennifer Jason Lee, Walton Goggins, Tim Roth, Micahel Madsen, Demian Bichir and Bruce Dern. Music is scored by Ennio Morricone and cinematography by Robert Richardson.

Wyoming, wintertime, and an assortment of suspect characters are holed up at Minnie's Haberdashery while a blizzard rages outside. Soon enough suspicions and ugly human traits come to the fore...

Tarrantino is on a Western/Southern/Oater/Civil War kick these days, here following on from Django Unchained, this is set just post the Civil War. Proudly homaging genres he loves, he throws all his trademarks at The Hateful Eight for glorious results - that is on proviso you happen to be a fan of his in the first place.

Picture is split into two halves. First half sets up the characters who come to be at Minnie's, the conversations are pungent with Tarrantino's caustic and comedic writing, the characterisations equally so, whilst we have been treated to some absolutely gorgeous Colorado vistas. There's a constant sense of mistrust in the air, while racism, misogyny and political fall outs pulse away in set up scenarios.

Then it's the second half, where after a wee bit of narration that had me thinking my Blu-ray player had somehow started playing The Assassination of Jesse James by the Coward Robert Ford, hell then comes to Minnie's! It quickly becomes evident we have been part of a Tarrantino parlour game, a game of Clue - cum - Ten Little Indians, only in a Wild West setting, and with blood, bones and bile in full effect.

The whole thing is wonderfully stylish in the way that Tarrantino is known for. The cartoonish horror mingles with more biting observations on humanity, the violence shocks to get a reaction from the viewer, for better or worse, and always there is humour, where Hateful Eight proves itself to be one damn funny film.

Morricone scores it as cartoon horror with Western strains, and it's magnificent, it sounds like the evil twin to his score for The Untouchables. The cast are super (though a couple of them are not given much to do), with Leigh standing out, and Messrs Jackson and Russell hold glorious excessive court. Costuming is most appealing, as is the set-design for Minnie's. And director QT? Well he does his thing, chapters and verse and playful filmic cunning. 9/10
The Hateful Eight is Quentin Tarantino's eight film. Inspired by John Carpenter's movie, The Thing. We even have Kurt Russell mentioning going without sleep. However despite all the talking and there is a lot of chatter between some hateful people, it is an Agatha Christie style thriller.

In a snowbound post civil war wild west, Kurt Russell is bounty hunter John Ruth better known as the Hangman. He brings his bounty back alive so they can hang.

Ruth is taking back Daisy Domergue (Jennifer Jason Leigh) a female captive with a big reward on her. He meets Major Warren (Samuel L Jackson) another bounty hunter and they decide to ride together to town and meet the new Sheriff who is due to show up.

A blizzard means they have to stop at an inn. Holed up in the inn is Bruce Dern's confederate General Smithers, a bitter racist trying to find out the fate of his son.

Also there is Tim Roth's Mobray on his way to the same town as the Sheriff to be their new hangman. There are several other people hanging around the inn. Ruth is convinced that someone is not what he claims to be and is nervous.

The film has a lot of talk with suspicious, shifty people rubbing everyone up the wrong way. Tarantino wants the viewer to get complacent and then suddenly bang! He then shows you his hand.

The Hateful Eight is a twisted film with Tarantino's dark humour, mean characters and violence. However it is overlong and a mystery that might be too slow before it gets going.
***Creative Western whodunit is an amusing black comedy, but also profane and repugnant***

RELEASED IN 2015 and directed by Quentin Tarantino, "The Hateful Eight" is a Western about a cruel bounty hunter (Kurt Russell) taking an outlaw woman (Jennifer Jason Leigh) in to Red Rock, Wyoming, to hang. Along with a black bounty hunter (Samuel L. Jackson) and the new Sheriff of Red Rock (Walton Goggins), they hold up at a rural haberdashery during a blizzard with several dubious characters (Tim Roth, Demián Bichir, Michael Madsen, Bruce Dern and Channing Tatum). Dana Gourrier and Zoe Bell appear in small roles.

This was Tarantino’s second Western in a row after 2012’s “Django Unchained,” which ranks with the best Westerns of all time. This one’s not as good, but it certainly has its points of interest, like the great wintery wilderness atmosphere, which is to die for. Moreover, the plot is intriguing. It's basically an Agatha Christie whodunit a la Murder on the Orient Express transferred to the Old West. Roughly 90% of the film takes place in the haberdashery and, less so, a stagecoach. It's basically a theater play masquerading as a movie and I found it a unique setting for a Western.

The movie starts out with spectacular Colorado winter cinematography highlighted by an excellent Ennio Morricone score, his first full-length score in over three decades (!). Compelling extended dialogues have always been Tarantino’s strong suit; and so it is here. The amusing melodramatics are entertaining and the story keeps your interest despite the one-dimensional setting. Everything’s SO exaggerated that you can’t take it seriously. The movie’s intentionally offensive and you have to roll WITH the excesses to be entertained; otherwise you’ll hate it.

On at least one occasion the overindulgences don’t work, like the disgusting fellatio sequence. I get that Marquis (Jackson) was lying to the other guy to compel him to draw, but we didn't need a visual on his fabricated story. It's sordid excess that has no place in a Western or any other movie, except gay porn, but Tarantino obviously included it in order to be "edgy" or whatever.

The excellent opening with the figure of Christ dying for our sins keys off the theme, which is humanity’s fallen condition and dire need of redemption. The title, “The Hateful Eight,” is a perversion of “The Magnificent Seven.” The latter celebrates the noble and heroic whereas this movie parodies the base and odious. Tarantino is poking fun at our petty hostilities that separate us based on race, gender, sectionalism, faction-ism, envy and rivalry. Furthermore, men divided by hatred of culture and race can unite in hatred of something else, in this case misogyny.

THE FILM RUNS 2 hours, 47 minutes.

GRADE: B

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Love, Rosie 2014 filme kostenlos anschauen -1440p-Sonics-DDP

Love, Rosie 2014 Online Stream



Love, Rosie"




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Name

Love, Rosie 2014

Zeitdauer

145 Niederschrift

Freigabe

2014-10-16

Beschaffenheit

MPEG-2 1440p
DVDScr

Genre

Comedy, Romance

Ausdrucksweise

English

castname

Whang
F.
Koji, Siarah O. Tamia, Epstein O. Neyl









Love, Rosie 2014 Love, Rosie ganzer film deutsch, Love, Rosie online stream - Ganzer film, Love, Rosie ganzer film online stream - Deutsch




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Gravity"




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Titel

Gravity 2013

Zeitdauer

179 winzig

Auslöse-

2013-10-03

Güte

MPE 1440p
TVrip

Gattung

Science Fiction, Thriller, Drama

Fachsprache

English

castname

Cressac
L.
Tyler, Barni S. Reyhana, Clayton X. Mandeep









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Great story, great cast and performances, great direction, FX, photography, care for the details, OST and editing.

Alfonso Cuarón is a real titan and Sandra Bullock goes for the Oscar.

It is not a 10 because at some point the chain of events goes further that it should.
There is no doubt that this is a very pleasing movie from a purely visual point of view. This is probably a movie that would benefit from being watched in a good theater with its grandiose scenery.

However, I have to say that I found the rest of the movie somewhat mediocre. The part that I felt dragged down the movie the most is that Dr. Ryan is behaving rather clumsily and amateurish first being real slow in obeying the order to evacuate and then floating around huffing and puffing, talking a lot when she should really conserve oxygen. Did they not give her the basic course before letting her up in space? I also found it soooo Hollywood that she was able to get onto the Chinese space station and seconds later it starts to descend into the atmosphere. In general I felt that the script writer was not really very technically knowledgeable.

Overlooking these, unfortunately all too often occurring issues, the movie is fairly okay as a whole. Obviously I cannot agree with the glowing all-star ratings that some people have been giving it but it is far from the single star trashing that other people have been giving it. Technically it was very good with nice special effects. Bullock performed as well as can be expected with the script she was given. Clooney felt a bit out-of-place as a skilled astronaut to me but then he was not really in the movie that much.

To me it was a fairly enjoyable popcorn movie.

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Adelstitel

Ghostbusters 2016

Geltungsdauer

135 kleinst

Entladung

2016-07-14

Güte

FLA 1080p
BRRip

Gattung

Action, Fantasy, Comedy

Programmiersprache

English

castname

Benoît
U.
Mélika, Voleta N. Fateha, Ivon L. Madina









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"While it falls short of nailing the anarchic spirit and character chemistry of Ivan Reitman’s beloved 1984 blockbuster, Feig and his cast of game comediennes deliver enough thrills and giggles to both justify the long-in-development franchise-starter and smother the internet’s white noise of negativity..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/7/12/ghostbusters.html
Filmmaker Paul Feig's **Ghostbusters** reboot pretty much followed the characteristic aspects of his previous films ("Bridesmaids", "The Heat", "Spy") all incorporating a self-awareness of female-oriented friendship and the estrogen-driven escapades rooted in inspired goofiness. So given this familiar foundation of Feig's big screen blueprint one would expect that his creative input into the continued Ghostbusters franchise for the millennium moviegoers would result in the heralded hype his film project is now enjoying at large. Sure, the feminine-charged **Ghostbusters** seemed like a radical concept and would obviously trigger the nostalgic sentiments (and comparisons) of the classic 80's comedy spearheaded by beloved on-screen paranormal hucksters Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson. Nevertheless, singer Ray Parker Jr.'s lyrical catchphrase "Who you gonna call?" within the Ghostbusters theme song needs to be addressed accordingly. The answer: the handlers behind the original **Ghostbusters** film that could uplift the disjointed high jinks and synthetic silliness of Feig's current comedic ghostly she-power schlockfest.

It is only natural that **Ghostbusters** had high expectations for Sony Pictures to perform well given the aggressive marketing tactics, early release of the Ghostbusters movie trailer (which was heavily panned online) and the aforementioned cinematic legacy of the original film's fanatical following and reputation. However, this third installation of **Ghostbusters** feels curiously flat and strained in its stillborn witticism. The creep factor borders on campy and cheesy (although this effectively worked for Ivan Reitman's 32-year old spook-ridden farce in the eighties) for which in today's cinematic circle is inexcusable due to the edgier and challenging special effects that could have played up the whimsy and wonderment of this breezy, bubble-gum colored romp with seemingly low-grade spark and sizzle.

Feig's interpretation of the **Ghostbusters** universe could have been fresh and favorable especially with the colorful casting of his capable four female principals in the Emmy-winning and Oscar-nominated Melissa McCarthy along with Saturday Night Live personalities Kristen Wiig, Kate McKinnon and Leslie Jones. Unfortunately for these noted funny ladies they were saddled (or slimmed if you will) by a transparent script almost as invisible as the pesky ghosts they are trying to pacify. The recycled by-the-numbers hilarity and hysteria does not make this brand of ghost-busting quite distinguishing. Chemistry-wise, the Ghostbuster gals seem to revel in the collective merry-minded mischievousness and genuinely try to bring energy and outrageous antics to this flaccid frightfest. Still, the mixture of Ghostbusters' gooey gumption with a dash of egghead feisty femininity never seems to translate into anything beyond the tired gimmick of promoting another excuse to tap into yesteryear's profitable fun and frolic that made the wise-cracking Murray and his klutzy cohorts so amusing and welcomed in their rollicking ghostly gem from the Reagan-era.

Quite frankly the notion that **Ghostbusters** is unfairly being knocked for its misogynistic overtones fueled by bias Internet-based fanboys not accepting that nerdy womanly scientists cannot fill the shoes of their revered male counterparts from the previous two predecessors is somewhat misleading. Sure, the decision to cast an all-female **Ghostbusters** team turned some curious heads but for the most part many thought this to be rather intriguing and experimental. The actual disdain can be pinpointed to the fact that Feig's flimsy boo-spewing fable is grounded in cliched and forced chuckles, weak-kneed jokes and gags, lazy writing and uninspired visual neon lighting techniques that look like a cheapened explosion from a vintage late 70's New York discotheque.

Unfortunately, **Ghostbusters** wallows in mediocrity and fails to capture the acquired giddiness and imagination so pronounced in the prior entertaining installments. Even if the original actors in Murray, Aykroyd, the late Ramis and Hudson had decided to reprise their roles under Feig's problematic production the results would be the same--an aimless reboot without any definitive bite or backbone for a cobbled comedy that is slight and stretched thin to its toothless core. Amazingly, **Ghostbusters** cannot decide if it should remain faithful to its humble roots (it does help trivially that iconic Ghostbuster notables make scattered cameos--sans Rick Moranis--including that glorified scene-stealer in the Stay Puft Marshmallow Man as well as hot dog gulper Slimer) or venture off into something resembling its own goofy identity and distinction. Either way the third time around simply meanders in over-produced, noisy emptiness.

The so-called plot in **Ghostbusters** focuses on college professor Erin Gilbert (Wiig presumably in the Murray/Dr. Peter Venkman role) and her fascination with ghost activities that end up costing her an academic career in the process. Specifically, Erin's controversial book that she wrote along with co-author Abby Yates (McCarthy) served as the basis for her firing. Abby's obsession with ghosts still has her invested with this spirit phenomenon that she researches defiantly with her kooky associate Jillian Holtzman (McKinnon) in tow. Eventually, it would take the trio's status of joblessness (not to mention a run-in with a slim-spewing ghost that loves soaking humans with its sticky green goo) to collaborate on going into business as paranormal exterminators out to showcase their expertise in "busting ghosts".

In the meanwhile, there is something brewing in the twisted mind of supernatural-loving freak Rowan North (Neil Casey). After all, he is the lost soul responsible for unleashing the onslaught of riff-raffish apparitions upon New York City courtesy of his miserable, lonely existence. Now it is up to Erin, Abby and Jillian to eliminate Rowan's sinister agenda and eradicate the spooky pests that he has manipulated to cause the city-wide panic. As Internet sensational darlings, the Ghostbusters are committed to step up to the plate as the sassy saviors they were meant to be since going into the ghost-busting industry.

The later arrival of street-wise transit worker Patty Tolan (Jones) completes the Ghostbusters' quartet. Patty, whose run in with one of the slimy ghosts in the subway tunnel was pivotal to joining the three scientists, has something to offer the ghost-chasing brainiacs--a.) her knowledge of the city's whereabouts and b.) her funeral director uncle's hearse that serves as the official transportation for the Ghostbusters.

Overall, the third outing regarding this toothless entry **Ghostbusters** notoriously lacks the robust impishness and rapport of the male character counterparts that were devilishly drawn together and cemented by Murray's droll humor. Here, the ladies come off as bland and indifferent--at least for the Paul McCartney and John Lennon of the team in Wiig's Erin Gilbert and McCarthy's Abby Yates. McKinnon's Jillian Holtzman is the only truly spry Ghostbuster who is credible as an off-kilter genius ditz with off-the-wall likability. Some may gravitate towards Jones's stereotypical brassy black chick with the brash quips and animated overreactions. Although Jones brings in the high-wire urbanized smirks in contrast to her quieter, geekier counterparts it is cringe-worthy watching her play an over-the-top, towering, mouthy cultural exaggeration that is woefully embarrassing for the sake of this dismissive. hedonistic hoot.

Ironically it is the hunky Chris Hemsworth that fares decently as the handsome himbo Kevin, the dim-witted **Ghostbusters'** male assistant that serves as the doltish eye candy for the cerebral lasses, particularly for the smitten Erin. Another SNL alum, Cecily Strong, checks in as the menacing mouthpiece from the Mayor's office that tries to discredit the popular ghost-busting technicians as "sad, thrill-seeking women".

Feig, serving as both the film's director and co-screenwriter (along with "The Heat" scriber Katie Dippold) has no cohesive vision for the listless **Ghostbusters** and could have used some critical pointers in studying the proven anatomy of what made Reitman's nostalgic vehicle so engaging that still thrives after three decades since coming into the movie audience's consciousness. From the lame and limping laughs dipped in cartoonish crudeness (i.e. a male ghost gets a rousing jolt to his "junk" courtesy of his heroic ghost-busting detractors) to musical acts Fall Out Boy's/Missy Elliott's relentlessly unrecognizable, erratic and choppy remake of the aforementioned Parker's infectious **Ghostbusters'** theme song in this regurgitated comedy that has no excuse for catering to a lackluster rebirth while die hard and casual fans patiently waited for a festive follow-up from Murray and crew for thirty-plus years.

To randomly quote a classic **Ghostbusters'** lyrical line: "I ain't afraid of no ghosts". This may be the case but one should be very afraid of this heavy-handed banal boofest for wasting their time, anticipation and consideration.

**Ghostbusters (2016)**

Sony Pictures

1 hr. 44 mins.

Starring: Melissa McCarthy, Kristen Wiig, Leslie Jones, Kate McKinnon, Chris Hemsworth, Neil Casey, Cecily Strong, Charles Dance, Michael Kenneth Williams, Matt Walsh, Ed Begley, Jr.

Directed and Co-Written by: Paul Feig

MPAA Rating: PG-13

Genre: Comedy/Supernatural/Science Fiction/Action and Adventure

Critic's rating: ** stars (out of 4 stars)

--Frank Ochieng (c) 2016
I was determined to see this movie on opening day. Female cast, Paul Feig (a Michiganian who included a Michigan line in the film), a couple fistfuls of ridiculousity on social media. When the movie started, I was one-eyeing the screen. Waiting for it. Oh oh. Fart joke. Oh oh. Kristen Wiig still can't make her eyes look interested. Then Charles Dance shows up with his serious comic tongue stuck in his cheek to admonish Prof. Gilbert that if she is serious about tenure, she needs to find a more prestigious university recommendation. "More prestigious? Than Princeton?" Now I know the deadpan eye comic genius of Wiig, too. From that point on, I was in love with the story. Katie Dippold cowrote the film. She has a bit part as the real estate agent showing the team the 1984 movie's fire station to rent. I want more of her screenwriting. The dialogue is witty, sharp, real. While I liked the 1984 Ghostbusters, it's a buddy movie. Dudes in the treehouse with no girls allowed spelled wrong nailed to the door. Smug, chirpy, guybonics. Venkman electrocuting rivals in the lab: using paranormal research to get dates. Annie Potts drooling over Spengler. Sigourney Weaver in a diaphanous dress, draped on a parapet waiting for the Gatekeeper. The sore spots in 1984 are sprayed away in 2016 without gender disrespect. Gilbert gets to drool over the pretty doofus administrative assistant. When you see this movie, watch all the credits. Chris Hemsworth is a clearly confident actor - he dives pelvis-first into the Kevin role, and it's hilarious. I'm still searching for the creator of the titles and end credits. Excellent art. The poster? Not so much. Hemsworth needs to be behind the four leads. Geez. Casting hit a lick with Kate McKinnon as Holzmann. She is fantastic bringing Harold Ramis' genius back to life. Leslie Jones as Patty: so good, and she has some of the juiciest lines, delivered with haute sass. There are really well-placed cameos by 1984's cast, including birthing one of the movie's best lines "safety lights are for dudes." 2016 Ghostbusters is a great fun movie, and I'll watch it more than once again. One of the brilliant visuals that I was thrilled with - the stream from the proton packs tied up the ghosts. Wrapped, pinned, contained lassoed. Genius analogy for what to do with obsolete stereotype. There's a lassoed line in the film while the Ghostbusters are reading the internet reaction to their first catch. "Ain't no bitches gonna catch no ghosts." Yeah. Watch this.
Unfortunately this has become because of political correctness and its backlash almost impossible to rate objectively. In the 2016 North American wish to either redo every successful film ever made and present every conceivable variant in the process, for what could be deemed the lack of any possible originality of ideas, I still tried to enter this with an open mind, and see this as if the two films from the 80's (which I enjoyed very much the one time I saw each of them) had never existed. I should state I saw this in 3D (which I hardly ever do), with my lady and our respective sons.

I felt that it was quite funny and that the special effects were excellent. Next to 'Avatar', the use of 3D was the best I have ever seen. It's a popcorn flick well-worth seeing. Though I haven't seen any other movies by Feig or starring McCarthy, it made me want to go back and give them a shot at some time in the near future. There was something for everyone--both my lady and I enjoyed it very much--and the boys, three and thirteen years-old respectively, loved it as well. Give it a shot.
A SCREEN ZEALOTS REVIEW www.screenzealots.com

There’s an arbitrary sense of nostalgia that unfairly permeates audience perceptions of the new female-centric “Ghostbusters” reboot. I love the original 1984 film too; I wore out my VHS cassette when I was a kid and I’ve probably seen the movie dozens of times, including special theatrical re-releases and anniversary screenings. It’s almost as if all of this animosity is seen as a badge of honor for ‘serious movie fans.’

All of this badmouthing is truly unwarranted, especially if you actually go back and rewatch the original. Sure, the movie has comedy legend Bill Murray, the hilarious Rick Moranis, and memorable performances from Harold Ramis, Sigourney Weaver and Dan Aykroyd. It introduced us to the characters we all still love decades later, and made lines like “tell him about the Twinkie” a permanent part of movie nerd vocabulary. But to all the haters I say this: you are being very, very unfair. The 1980s era film has a lot of boring sequences and lags quite a bit, and as is the case with many movies, sometimes our nostalgia creates pretty thick rose colored glasses. We tend to only remember the good in our childhood favorites.

Put aside your bias: the new “Ghostbusters” honors the legacy of the original, is a fun retelling of the classic story, and it does not disappoint. THIS MOVIE IS FUNNY! THIS MOVIE IS ACTUALLY GOOD!

There are a couple of minor hiccups along the way (as with most comedies, not every joke sticks, and the ghastly Missy Elliott / Fall Out Boy remake of the already awful Ray Parker Jr. song “Ghostbusters” makes an unwelcome appearance), but overall the movie is a success. At first it may feel weird to see women Ghostbusters but any skepticism will quickly fade (there’s a new generation of young girls who will undoubtedly be inspired by these characters).

When estranged childhood friends and paranormal enthusiasts Erin (Kristen Wiig) and Abby (Melissa McCarthy) reunite, sparks are rekindled and they decide to get back to their ghost chasing roots. The smartypants duo is joined by weirdo nuclear engineer Holtzmann (Kate McKinnon) and subway worker Patty (Leslie Jones). When Manhattan starts to experience boatloads of specter activity, the friends get started on some good old fashioned poltergeist hunting.

A big part of why this movie works is the comedic talent of these women; their chemistry is evident and they play well off each other, and the positive themes of loyalty and friendship never once feel fake. All of the actors are proficient at physical comedy and all have impeccable timing. This movie is very funny and the jokes had (and kept) me laughing from the beginning (there’s a particularly hilarious sequence at a heavy metal concert that’s worth the price of admission).

Rounding out the amusing performances is Chris Hemsworth as Kevin, a completely clueless stud muffin who is hired as the women’s receptionist solely based on his beefcake good looks. This feminist spin on the dumb secretary stereotype is exactly the type of lampoon I was hoping for here. In fact, the film doesn’t shy away from all of the lady haters either: there are lots of self-referential bits that directly address all of the critics (my favorite being Holtzmann’s ‘One of the Boys‘ t-shirt). Girl power!

Fans of the original will also appreciate several in-jokes and references, and there’s a long line of fun cameos (which I won’t spoil here: just keep your eyes open and be sure to stay through the end credits)! The special effects have been given a serious upgrade as well: these ghosts look real, feel real, and are appropriately scary-yet-funny. When the ladies first fired up their proton packs, I began cheering internally.

“Ghostbusters” is exactly what a summer movie is supposed to be. It’s big in scope, it’s full of hearty laughs, it’s filled with terrific performances from all of the leads, it’s stuffed with stunning special effects, and it’s something the entire family can enjoy. All of you naysayers really need to lighten up because this is a really, really fun movie.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
**The ghosts are real and the scientists are hunting them down!**

First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.

The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.

There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.

_6/10_
**The ghosts are real and the scientists are hunting them down!**

First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.

The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.

There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.

_6/10_
This movie was a huge disappointment! The only positive thing I can say about it is that the special effects where not half bad. The movie itself was childish, unfunny, unintelligent and generally really bad.

Some reviews giving this movie 9 or 10 stars (which is just ludicrous) are saying that people cannot handle the feminism in the movie. What feminism? Replacing the original actors with women is not feminism as far as I am concerned and anyway, if you care about such things should it not have been two women and two men to be politically correct? Also, the supposedly intelligent women in this movie behave in a typical old-fashioned Hollywood stereotype of women way. They are mostly downright silly. If I were a feminist I would actually have been insulted by this movie.

Then we have the male clerk that is dummer than a piece of rock. If someone had stacked four supposedly intelligent men and a single blond bimbo that is totally devoid of any trace of intelligence together in a movie the social justice warriors would have cried foul so loud that you could hear it across the planet. But since it is four women and a stupid male it is okay (not really). It is even feminism according to some people. What a load of bollocks.

There is actually a story in the movie although it is well hidden under the silly jokes and silly behavior. It is paper thin and rather silly in itself but it could have worked if the rest of the movie was up to snuff but sadly it is not.

As I wrote above the only good thing about this movie is the special effects. The few scenes that I actually enjoyed was during the big shoot out at the end which had some cool moments. I especially liked when Jillian pulls a pair of pistols out of her Ghostbuster suit and goes on a ghost killing spray.

Apart from that this movie is best forgotten.
This movie is horrible. It plays like an overly long SNL sketch. The only saving grace is that this lost so much money that there will not be a sequel. Unfortunately for the fans, this means that the franchise is likely dead in the water for a long time.
This movie is a disaster. The casting is way off. The special effects are mediocre. The story is merely a retread from the original... and they shoot the original logo in the crotch. There is nothing good about this production. What a waste of a perfectly good franchise.
As a male nerd who grew up in the 1980's watching both original movies and the cartoon, running around with my toy proton pack and catching imaginary ghosts in my basement, I should be of the demographic complaining about how this ruins my childhood or that a cast of all women is just a stunt in the name of political correctness, or whatever their issue is. But the truth is, I REALLY enjoyed this movie.

The four female leads were absolutely hilarious--especially Kate McKinnon who steals every scene she is in. The other three characters have more growth, more of a story arc, and are more fleshed out as people in general. But McKinnon makes the most out of the available material and creates a very fun and memorable character.

The comedy of the 2016 version, while equally effective, is completely different from the dry humor of the original. The absence of Dan Aykroyd's and Harold Ramis's ludicrously funny lines delivered with a straight face, and the deadpan humor of Bill Murray has been switched out with a more over-the-top and in-your-face style of humor. It's not as subtle. Ghostbusters (1984) made me chuckle; Ghostbusters (2016) made me laugh out loud.

While a lot of the original's comedy came from the ghosts themselves, i.e. that they're funny instead of legitimately scary, the new version reverses that. There is some very creepy imagery involving things like old timey parade balloons, ghosts pushing against mirrors, and other things that seemed inspired by American Horror Story. Plus, there were some good jump scares, boo moments, that actually caught me off guard.

Much like a guitar amp out of Spinal Tap, this film turns both the scares and the comedy up to 11 with great results.

I haven't had this much fun at a movie in a long time. The trailer is NOT a valid way to judge this film. The trailer seemed to splice together all the ineffective moments and jokes of the film. But those were the exceptions and not the rule. The rule here is fun, entertainment, laughs, and the occasional scare. When the film works, it works remarkably.

The only real misstep was Chris Hemsworth's character. While the gender role reversal of the hot blonde ditz secretary was brilliant and long overdue in a mainstream summer movie, he was just too dumb to be believable. The character of Kevin belonged in a cartoon and not a legitimate movie.

The best line in the movie references Jaws and Annie Potts' cameo made me cheer.

However...

If you've already decided you hate this movie without even seeing it, you probably won't like it. That's how these things usually work. But, if you have an open mind and are reserving judgement, I suggest you see it. You will be pleasantly surprised.

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The Legend of Tarzan 2016 filme kostenlos anschauen -720p-MP4

The Legend of Tarzan 2016 Ganzer Film



The Legend of Tarzan"




The Legend of Tarzan-kostenlos-2016-blu ray-MPE-720p-HDRip-MPEG-1-M4V-DVDScr-HDTS-HDTS-DVDScr.jpg




Bezeichnung

The Legend of Tarzan 2016

Geltungsdauer

162 Sitzungsprotokoll

Verzicht

2016-06-29

Eigenschaft

SDDS 720p
WEB-DL

Buchgattung

Action, Adventure

Sprachfähigkeit

English

castname

Georg
M.
Maribel, Sixta N. Shields, Sadio G. Ezmie









The Legend of Tarzan 2016 The Legend of Tarzan ganzer film deutsch, The Legend of Tarzan online stream - Ganzer film, The Legend of Tarzan ganzer film online stream - Deutsch



**Yep, this is a different Tarzan, an updated one.**

Recently the Indian jungle boy, the live-action Mowgli film was made and so its time for Africa's. This is not a Disney film and that's one of the disappointments for the Tarzan fans. Because this film is for the grown-ups only. It is rated PG13, but still I don't think the children would enjoy it like they did for the recent 'The Jungle Book' film. So it is like a DC film, I mean, DC makes superhero films for the grown-ups, unlike Marvel's. The bottom line is, don't expect it to be like a Disney film. Like the director said before the release, this is not the Tarzan from your father, grandfather's era, but an updated one with strong graphic violence.

So the story skips all the Tarzan's earlier life like from his childhood to adulthood parts. The film commences with Tarzan being settled in the UK. It's the second half of the 19th century, where the European colonies in the Africa are expanding for its rich natural resources. So in the Congo savanna, the natives welcome Tarzan for his short visit, but the things get ugly when his wife, Jane was kidnapped. Now he must fight back for her safe return and also avert other threats in the region from the foreign power.

There are many CGI character films were made at the recent time, it is a trend, but not all of them are impressive. This film looked average when it comes to vfx. The story was acceptable, the performances were decent, the casting too not bad, but Samuel L. Jackson was completely useless. He's one of the greatest sidekick Hollywood ever produced, but I don't know why he's in this project, his role was very silly.

In other hand, Alexander Skarsgard was good in the lead character and so Margot Robbie as Jane. The action sequences were not good as I expected. The film had a good runtime, but in some parts, it was slow or maybe you can say nothing interesting thing happens. I liked the idea, to update the theme, but they should have given more focus on the story. I hope if they plan another film, it should be a prequel. Because I feel there's lots to learn about the past than going forward. This is a one time watchable film, there's no surprises, just plain and partially entertaining.

_6/10_
This was the most underwhelming Tarzan movie that I have ever seen. A typical product of some Hollywood producer trying to make a "modern" take of Tarzan not really knowing or caring for the Tarzan that Edgar Rice Burroughs created. 

In particular it was the palest and most underwhelming Tarzan character yet. He never radiated the strength nor the intelligence that Edgar Rice Burroughs attributed to his character. He spent most of the movie going around with a bland look on his face.

The story itself is pretty much an out of the box standard Hollywood story about slavery and abuse of the black African population. Not truly bad but nothing to write home about either.

There is a lot of CGI in the movie and although quite a few reviewers seem to consider it bad I personally though it was pretty okay. One of the few decent bits of the movie.

I truly do not understand that they had the nerve to call this movie The Legend of Tarzan since it really is pretty far from the legend of Tarzan that Edgar Rice Burroughs created. This movie would perhaps have been okay as a one hour episode in a Tarzan TV-show but as a high budget feature movie it simply does not cut it. I was quite disappointed.

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Room 2015 filme kostenlos anschauen -1080p-FLA

Room 2015 Online Stream



Room"




Room-M2V-2015-WEBrip-WMV-MP4-ganzer film-MPEG-BRRip-stream-ASF-BDRip-online anschauen.jpg




Ehrentitel

Room 2015

Geltungsdauer

111 Minute

Erlösung

2015-10-16

Qualität

Sonics-DDP 1080p
Blu-ray

Buchgattung

Drama, Thriller

Programmiersprache

English

castname

Bridget
C.
Tzvi, Felicia C. maelie, Colon L. Blaze









Room 2015 Room ganzer film deutsch, Room online stream - Ganzer film, Room ganzer film online stream - Deutsch




Panic Room – Wikipedia ~ Handlung Meg Altman die sich frisch von ihrem Mann getrennt hat zieht mit ihrer elfjährigen Tochter Sarah in ein Haus in Manhattan New York City das vorher einem körperlich behinderten Millionär gehö hatte sich eine Besonderheit einrichten lassen nämlich einen sogenannten „Panikraum“ Dabei handelt es sich um einen hinter einem Spiegel verborgenen Schutzraum der zu

Emergency Room – Die Notaufnahme – Wikipedia ~ Emergency Room – Die Notaufnahme kurz ER ist eine 1994 gestartete und 2009 beendete USamerikanische Fernsehserie die vorwiegend in der Notaufnahme eines fiktiven Chicagoer Lehrkrankenhauses spielt und dabei auf realistische dramatische und auch humorvolle Weise versucht den Arbeitsalltag des medizinischen Personals und Patientenschicksale darzustellen

Escape Game – Wikipedia ~ Spielprinzip Die Grundzüge des Spielprinzips stammen aus dem AdventureGenre Als Urvater dieses Spielkonzepts gilt jedoch allgemein das Onlinespiel Crimson Room des Japaners Toshimitsu Takagi aus dem Jahr 2004 Das Ziel des Spiels besteht darin einen Ort an dem man gefangen ist zu verlassen

ElectroHouse – Wikipedia ~ BigRoom ist eine der populärsten Arten des ElectroHouse Sie entstand Anfang der 2010er in den Niederlanden und konnte sich durch die Popularität auf Festivals und Discotheken durchsetzen

Darkroom – Wikipedia ~ Ein Darkroom engl eigentlich Photographische Dunkelkammer für die Bearbeitung von lichtempfindlichen Materialien im englischsprachigen Raum allerdings backroomback room „Hinterzimmer“ genannt im Beamtendeutsch auch als „beruhigter Gastraum“ bezeichnet ist ein spärlichst beleuchteter Raum für Sexualkontakte überwiegend zwischen homosexuellen Männern in einem öffentlichen

Room2012 – Wikipedia ~ Cristóbal Gálvez Moreno 19 Mai 1987 stammt aus Obertshausen und sammelte vor Room2012 bereits neun Jahre lang Erfahrung in einem Männerchor sowie zwei Jahre in einer Liveband Gálvez Moreno spielt Gitarre und Klavier und schrieb zudem Teile des Textes zum Song Never Give Up für das „Popstars Allstars“Album Nach Ende der Band nahm er 2008 Memories mit Bahar Kizil auf 2013

Chinesisches Zimmer – Wikipedia ~ Gedankenexperiment Searle beschrieb einen geschlossenen Raum in dem sich ein Mensch befindet Ihm werden durch einen Schlitz in der Tür Zettel mit Geschichten auf Chinesisch zugestellt

Bibliothek des Trinity College – Wikipedia ~ Die Bibliothek des Trinity College Dublin englisch Trinity College Library Dublin irisch Leabharlann Choláiste na Tríonóide Baile Átha Cliath ist die Universitätsbibliothek des 1592 gegründeten renommierten Trinity College in ist Irlands größte und eindrucksvollste Bibliothek und beherbergt 45 Millionen Bände sowie eine große Sammlung historischer Handschriften

Knesset – Wikipedia ~ Beth haKnesset Die Knesset hält ihre Sitzungen in einem eigenen Gebäude dem Beth haKnesset hebräisch für Haus der Versammlung im Jerusalemer Stadtteil Giwat Ram ab Das Gebäude wurde von dem Architekten Joseph Klarwein geplant und ist seit dem 30 August 1966 der Sitz des Parlaments Finanziert wurde das Gebäude vom BaronJamesdeRothschildFonds und wurde auf geleasten Boden des

Kreditorenbuchhaltung – Wikipedia ~ OffenePostenVerwaltung Im Rahmen der OffenePostenVerwaltung werden Tätigkeiten wie das Sperren und Entsperren zur Zahlung Anpassung der Fälligkeit einzelner Kreditorenposten Altpostenkontrolle oder Prüfung auf Doppelterfassung durchgeführt Über die zeitliche Fälligkeitstruktur der Rechnungen ergibt sich eine Möglichkeit zur kurzfristigen Liquiditätsplanung


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The Avengers 2012 filme kostenlos anschauen -1080p-AAF

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The Avengers"




The Avengers-online stream-2012-M2V-DTS-FLA-FLV-stream hd-download-ganzer film-ASF-720p-FLA.jpg




Name

The Avengers 2012

Geltungsdauer

121 minutiös

Verzicht

2012-04-25

Beschaffenheit

MPEG 1440p
DVDScr

Gattung

Science Fiction, Action, Adventure

Ausdrucksweise

English, हिन्दी, Pусский

castname

Keeley
M.
Kearna, Rainier L. Berjon, Ashlee G. Blaine









The Avengers 2012 The Avengers ganzer film deutsch, The Avengers online stream - Ganzer film, The Avengers ganzer film online stream - Deutsch



With a movie like this you wonder how all of the otherwise, main characters will work together and support the story.

No problems here. While as might be expected, R. Downey Jr. comes across largely central, it is still a good mix and IMHO the best scenes in the movie involve the generated Hulk character.

With that kind of successful melding of characters, Hollywood-scale egos and even computer generated characters; you have to give it up to the writers and director to make this the successful film that it is.
**A long format review from 2012**

My new favourite Marvel Cinematic Universe film, undoubtedly! Order goes thusly;

1. The Avengers
2. Iron Man
3. Thor
4. Captain America
5. Iron Man 2
6. The Incredible Hulk

I had the privilege of going to Sydney and watching this almost a full three weeks before it’s American release, in a special advance screening for fans and a handful of critics. I drove up and back on a day trip with my mate HRV, spent over $400 between us… So worth it.

I think perhaps my expectations of The Avengers were too high. In fact I know they were, even so, I feel that it almost managed to meet them. All but two of the fears I had about this epic were quashed without a doubt. I initially was worried about Mark Ruffalo helming the role of The Hulk/Bruce Banner after taking over from Edward Norton who was ousted after his first appearance. My complaints were completely unfounded however, as Mark Ruffalo presents us with an at least as good Marvel Hero.

In terms of entertainment, The Avengers is one of the greatest feats ever produced. At the screening I went to, I actually missed more than a couple of lines due to the fact that the entire bloody cinema was in hysterics from some classic Joss Whedon (Director - Buffy, Angel, Firefly, Dollhouse) humour. The squabbles between these larger than life characters are not quite up to the peak that Jon Favreau’s Iron Man & Iron Man 2 sit on, but in terms of film in general, they are some of the better interactions I’ve ever seen.

The only weak points I really have to whinge about are both quite minor, and perhaps can be rectified in the MCU future. Firstly, Thor’s return to Earth (whilst brilliantly dramatic and pretty) was quite weak in terms of exposition. That said, this isn’t a Thor movie, so we don’t need to know everything that happens to him. Also, in next year’s Thor 2, it is very possible we’ll discover more specific details about the first few scenes of his return. Secondly, Loki’s army also came across to me quite weakly. In case we have any Marvel aficionados in the crowd, I won’t spoil it by telling you who they’re supposed to be, but in general the whole army was essentially a meat shield used to bump out scenes in which The Avengers get to kick ass. A very enjoyable part of the film, but one that doesn’t really drive the story at all.

I feel the only way I can adequately describe just how much you need to see this movie (in cinemas) is this: For those of you who understand me, you will be know and be aware of just how much I fucking hate the concept of Blu-Ray. I am going to buy a Blu-Ray player, a HD television, and Blu-Ray discs, just so that I will get more special features when The Avengers is released. Never have I even considered doing such a thing before.

The Avengers doesn’t get into your mind and rape it in the best way possible like Revolver or Donnie Darko. It doesn’t get into your guts and turn them with nostalgic violence like the brilliance in Doomsday or Outpost. It gets into your heart, and leaves you not just wanting, but needing more. Long live the MCU!

90%

-Gimly
After the recent disappointments from Marvel, notably Thor and the abysmal second instalment of Ghost Rider, this was a pleasant experience.

The special effects are dazzling, the plot is acceptable and the heroes are not making total idiots out of themselves just because the director wanted some “depth” to their characters. Sure there is a little bickering in between them but not too much to distract from the fun.

I’ve always liked Robert Downey Jr’s portrayal of Tony Stark and his sharp tongue. I did wonder how they where going to get the Hulk in there since he’s supposed to be uncontrollable but they did it. Okay they downplayed his uncontrollability a bit but I can live with that. I absolutely loved the “puny god” scene (if you haven’t seen the film yet you’ll have to see it to know what I mean, I wont spoil it in advance).

I have to say that I found Thor himself a bit underwhelming again though. I just expect something more imposing as the good of thunder. But then I’m Scandinavian so…

Anyway, this was a great film. I enjoyed it very much.
One of the few movies to actually make me feel like a kid again, Joss Whedon was the perfect filmmaker to do this film. Everyone gets their time to shine. The script juggles every plot point and character moment with clarity and ease. It's funny, smart, and visually jaw dropping. Definitely lived up to the five movie hype.

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12 Years a Slave 2013 filme kostenlos anschauen -1080p-DAT

12 Years a Slave 2013 Ganzer Film Deutsch



12 Years a Slave"




12 Years a Slave-englisch-2013-stream hd-Sonics-DDP-MP4-WEBrip-stream-AVCHD-DTS-WMV-kostenlos-BDRip.jpg




Adelstitel

12 Years a Slave 2013

Dauer

134 minutiös

Abgabe

2013-10-18

Güte

SDDS 720p
Bluray

Gattung

Drama, History

Programmiersprache

English

castname

Zackary
G.
Finnlea, Ladurie B. Nelson, Malki E. Smith









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Sometimes, I just have to stop my brain in the middle of a film and just admire its exceptional craftsmanship. I found myself doing that time and time again during this film. Perhaps I was more open to admiring the shot compositions and acting choices because, as I cynically told myself before the film, it's not like I needed much convincing that slavery was bad. Or perhaps it was because I was shielding myself from the honest brutalities the film convincingly portrayed. Nonetheless, I was reminded of the film "Children of Men," because when I watched that, I was struck by how easily I could imagine a less engaging, more dumbed-down version of the same film. I haven't seen enough films about slavery to know this for certain, but I suspect that because many of this film's principals are British, telling a story about a free man who was forced into slavery, as opposed to one born into it, they were able to be gain some valuable distance from the subject and craft something that's both beautiful and feels true to life. And even though I thought I could not have been made to feel worse than I already did about slavery, the post-scripts on the lack of justice Solomon received for his kidnapping and the unknown causes of his death, helped keep the film from lapsing into a kind of "triumph of the spirit" happy ending others might have imposed.
This movie is very, very well done. Well, edited and with the proper long shots at the proper moments bringing you to the life of Solomon without remedy.

All the cast performs exceptionally well and Ejiofor is to be remembered for this film.

A must to be seen.
Not in a long time have I seen a movie that brings out real emotions from my cold hearted soul. This movie brought them out in floods of tears.

the acting was superb, especially from the lead Chiwetel Ejiofor, he acted from his little toe right up to his eyes.

The style was also filmed beautifully with some (extremely) painful long shots which pulled you into Solomons nightmare.

Im not sure if its a film I could watch again, purely for the emotion but I would recommend this film to everyone.
**Dreaded at the thought that human kind ACTUALLY had this kind of livelihood at some point of time..**

Could not gather my thoughts to write this review at the end of the movie.Feeling really bogged down by some heaviness on my chest. Thinking about the times in history when we actually used to do these atrocities on other human beings makes me cringe.To imagine waking up one day and find me in chains just because I'm a colored man and living my life like an unwanted child of god makes me question humanity altogether. Just sitting through a little over than 2 hours and watching this movie made my heart bleed, I can't even begin to think of the people who lived their entire lives as SLAVES... 12 years a slave heart breakingly makes you feel the pain and suffering of almost the entire human kind at one point of time or other. Direction by Steve McQueen is brilliant.Chiwetel Ejiofor plays a helpless slave in Solomon Northup to the hilt and also the small but impactive role played by Brad Pitt as a man with conscience is superb.Lupita Nyong'o's Patsey too was depicted heart warmingly. You can't help but question yourself that how could MAN stoop such low and do these cruel acts and that too over such a prolonged period of time without even a single ounce of doubt in his mind for what he would have to pay for his actions.. All in all a GEM of a movie showing one of the lowest point in human history !

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