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Interstellar"




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Bezeichnung

Interstellar 2014

Geltungsdauer

126 Minute

Freisetzung

2014-11-05

Güte

MPE 1080p
DVDScr

Gattung

Adventure, Drama, Science Fiction

Jargon

English

castname

Demy
T.
Alban, Fabion H. Cherie, Brydon O. Evija









Interstellar 2014 Interstellar ganzer film deutsch, Interstellar online stream - Ganzer film, Interstellar ganzer film online stream - Deutsch



Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother.

As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience.

It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference.

As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well.

The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction.

There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'.

‘‘This world's a treasure,
but it's been telling us to leave for a while now.’’

All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one.

Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble.

Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way.

I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category.

‘‘Maybe we've spent too long
trying to figure all this out with theory.’’

The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I.

The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films.

It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa.
People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie.
Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels.
I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed.
Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start.
I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began.
If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.
Another grandiloquent movie from Christoper Nolan.

The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most ...

* The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical.
* There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly.
* To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome.

All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.
"Man kind was born on earth, it was never meant to die here."

IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again.

This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven.

The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too.

Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded.

Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets.

The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end.

Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it.

With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years.

9.5/10
This was my most anticipated film of 2014, and I was not disappointed.

The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through.

But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this.

My only regret was not seeing this film in IMAX.

10/10
That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.

Be warned that the rest of this review might contain a spoiler or two.

The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.

The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!

The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.

The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?

The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.
Again hit produced by christopher nolan after batman.
Storyline is great and also the science theory is perfectly showcased.

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Doctor Strange 2016 filme kostenlos anschauen -1080p-MPEG-1

Doctor Strange 2016 Ganzer Film



Doctor Strange"




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Name

Doctor Strange 2016

Dauer

153 Augenblick

Erlösung

2016-10-25

Eigenschaft

AVCHD 1080p
Bluray

Genre

Action, Adventure, Fantasy, Science Fiction

Fachsprache

English

castname

Nancy
Q.
Matty, Kailyn T. Mailly, Litzy A. Lamarre









Doctor Strange 2016 Doctor Strange ganzer film deutsch, Doctor Strange online stream - Ganzer film, Doctor Strange ganzer film online stream - Deutsch



With each new Marvel film one could expect the studio to push the limits of what a superhero film should consist of. Films such as Captain America: Winter Solider, Guardians of the Galaxy and Ant-Man all consisted of elements that we have never seen within a superhero film before. Now, Marvel Studios attempts to push the envelop once more by leaving the world of high tech armors and super soldiers and entering the mystical world of magic. Leading this charge is Benedict Cumberbatch's Doctor Stephen Strange and hopefully he could answer why there is this strange mystical feeling that we have seen this all before.



> From Marvel comes “Doctor Strange,” the story of world-famous neurosurgeon Dr. Stephen Strange whose life changes forever after a horrific car accident robs him of the use of his hands. When traditional medicine fails him, he is forced to look for healing, and hope, in an unlikely place—a mysterious enclave known as Kamar-Taj. He quickly learns that this is not just a center for healing but also the front line of a battle against unseen dark forces bent on destroying our reality. Before long Strange—armed with newly acquired magical powers—is forced to choose whether to return to his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.

I am going to start off the review by discussing the only strong positive thing that came out of Doctor Strange and its by far the visuals. Beautiful vibrant colors pop at you throughout the film, the costume design is beyond extravagant and the framing is spot on. Doctor Strange and his fellow Sorcerers Supremes powers aren't fully on display until they enter the Mirror Dimension and my god, Tony Stark and Bruce Banner would hate this place. As they are men of science, they would hate that all rules of physics are thrown out the window as our Sorcerers Supremes are capable of breaking buildings apart and reforming to however they please. It is hard to not reference Inception but no one here is dreaming, these visuals are being created by the hand of mystical men and they use it to their power.

In all honestly, pushing the envelope when it comes to visuals was not a difficult task at all. Heck, if they didn't I would have been extremely disappointed as it was an obvious opportunity to take advantage of since we are dealing with magic. I am still extremely disappointed regardless as director Scott Derrickson completely missed another obvious opportunity to push the envelope this time in regards of character development.

Doctor Stephen Strange is very much like a Tony Stark and other superheroes we have seen in films before as he is arrogant, egoistical and full of it. After Strange's accident in which he suffered extreme nerve damage to both hands, he dishes out every penny to his name to repair his hands in hopes he could continue his career as neurosurgeon. Every attempt fails and Strange becomes desperate enough to head to Nepal and finds himself under the guidance of Tilda Swinton's The Ancient One. Learning a whole new concept in the mystic arts forces Strange to reshape his way of thinking but Scott Derrickson does not let this have Strange reshape who he is as a person as well.

Doctor Strange should have found himself being more like a Steve Rogers towards the end of the film as learning the mystic arts and his accident alone should have broken his ego. But instead everything still comes easy to him as he masters magic with ease with very little tension. He has a couple hiccups in the beginning but once The Ancient One puts him under her wing it is smooth sailing and Strange is stealing texts, wielding powerful weapons and defeating Supremes with decades of training with ease.

You cannot say that Strange was destined for the mystic arts and that is why everything came so easy for him. Strange is only learning the mystic arts due to circumstance. If he doesn't get into an accident, which happened to him due to being careless, he doesn't find himself in Nepal. Harry Potter was destined for magic, not Strange. Strange fails to grow as a character because he continues to be proven right and no consequences seem to happen due to his actions.

It is hard to get into the character development of our supporting characters Benedict Wong's Wong and Chiwetel Ejiofor's Mordo as I would utterly spoil the film for you. All I would say though is that they were both mishandled and deserved better developments. It is a shame too because Wong and Ejiofor are superb actors but wasting talent is something Marvel Studios is used to.

When will Marvel Studios get a villain right? With Mads Mikkelsen playing our lead villain, Kaecilius, I thought we might finally get a cinematic Marvel villain that is on par to Killgrave and Kingpin over at Marvel's television department. Ultimately, Kaecilius and Doctor Strange end up fighting due to the most silliest cliche: being at the wrong place at the wrong time. The two individuals meet at the New York Sanctum Sanctorum in which Strange accidentally gets blown in to. Kaecilius is there to kill the protector and Sanctum Sanctorum itself and has no knowledge of who Strange is. In fact, he honestly believes Strange's name is in fact "Mister Doctor." Still learning his craft, Strange is capable of putting up a better fight than the protector who should be a matter. I mean, he is a protector after all. There are no stakes for Strange, strange.

Visually appealing could only get you so far as Doctor Strange fails to focus on the development of their characters that they made so appealing to the eye. Doctor Strange will become a huge asset to the Marvel Cinematic Universe and lets hope we see the rest of Strange's development when he casts his next spell. There is so much untapped potential in Strange's character, we just haven't seen the best of him yet.
All continues to be well in the Marvel Comics Universe as the film adaptation of another mischievous and majestic superhero from Stan Lee’s printed page empire emerges and reigns supreme on the big screen. The latest cure from the Marvel movie bag of explosive tricks is the entry of the dazzling and decorative **Doctor Strange**. Armed with a collection of notable performers, a convincing colorful scope of visual vibrancy and a hearty touch of spiritual and reflective potency the spellbinding **Doctor Strange** is an engaging and oddly sophisticated action-oriented comic book fantasy adding imaginative flavor to the typical escapist gem from the Marvel stable of powered personalities.

Some may argue that **Doctor Strange** is merely another conveyor belt cinematic comics confection that follows a safe and similar makeup that constitutes the obligatory Marvel Comics movie foundation–excitable weirdness, overly splashes of wayward whimsy, copious characterizations attached to their brand of eccentric grandeur and larger-than-life gestures of dark and devious exploits grounded in the basic landscape of good versus evil. Listen, sometimes traveling down the conventional path of constructed and adventurous Marvel-made spectacles is not necessarily a bad thing to consider. After all, the well-known and more popular superhero icons such as _Spider-Man_, _The Incredible Hulk_, _Iron Man_, _The Avengers_, and _The X-Men_ for instance seem to benefit nicely from the anticipated formula that routinely delivers the entertaining goods for its avid core of fanboys. So why not wipe off the seemingly obscure and underrated **Doctor Strange** and provide the same kind of popcorn-pulsating mystique for blockbuster cinema?

**Doctor Strange** started out as a comic book creation in 1963 by Steve Ditko and Stan Lee. Director Scott Derrickson (“Paradise Lost”, “The Exorcism of Emily Rose”, “Sinister”, “Deliver Us From Evil”) does an admirable job in giving shades of bizarre brilliance and magical manipulation to an unconventional Marvel comic book character hardly known for his capacity to translate his mystical mastery to celluloid with compelling curiosity. Derrickson, known primarily for his creative juices in the realm of horror fantasies, confidently serves up the off-kilter and hypnotic appeal of Dr. Stephen Strange as embodied by accomplished English actor Benedict Cumberbatch (“Black Mass”, “The Imitation Game”, “12 Years a Slave”). Interestingly, Derrickson and his handful of screenwriters craft **Doctor Strange** with a mind-blowing measurement of restraint and inquisitiveness. Indeed, **Doctor Strange** echoes its contemporary Marvel-established movies with predictable pluckiness to a certain extent but what is appreciated more is the uniqueness of the film’s ability to emphasize a cerebral superhero that is cut out of a different kind of creative cloth which feels quite distinctive from other brooding Marvel mavericks. Cumberbatch–mastering a rather effective American-accented sorcerer with skill–has injected a degree of inventive nobility and refinement that uplifts this calculating comic-book fantasy.

Cumberbatch’s egotistical Stephen Strange is an incredibly gifted neurosurgeon. His hands are truly miraculous tools of his medical trade and he takes pride in his abilities to treat the critical patients that have tremendous hope courtesy of his therapeutic capabilities. In a nutshell, Strange outshines his other surgical competitors because he is able to give to his patients on the operating table something other doctors cannot instantly muster up. However, cruel fate strikes its ugly head when Strange suffers the usage of his precious hands as a result of a horrific car wreck. The nerves in his hands are destroyed and the non-functioning of his limbs is an awful reminder that his surgical talents are something of the immediate past.

As Strange delves into self-pity and surfacing depression he cannot see just how supportive his fellow physician Christine Palmer (Rachel McAdam) is toward him. Clearly, Christine is in love with the alienating medical moper but Strange simply does not realize the extent of her affections because he is too busy sulking about his misfortune. The only factor that gets a promising rise out of Strange is his recent acknowledgement of the Tibetan community where there is a Kamar-Taj temple rumored to restore ailing body parts destined to make an individual “whole” and “complete” once again. Naturally, Strange wants to bypass the tedious and lengthy therapy sessions for a chance to experience the miracle of his once-amazing operating digits now ravaged by severe nerve damage.

The main source behind the Kamar-Taj temple’s heralded existence is The Ancient One (played by Tilda Swinton). She is instrumental in teaching the fundamentals of a selected Eastern mysticism that teaches the special concentration of healing the wounded and wasting human body when scientific medical practices fail to do so. Soon, Strange’s affiliation with The Ancient One and her mystical minions has more than a transfixing effect on gaining control of his ailing hands as he gains indescribable powers through the inner strength of mind and soul. Now, Dr. Strange can generate his own alternating state of philosophical wizardry that dictates shaping time and space dimensions. Strange’s out-of-body experiences supersede all his previous physical impairments as a force to be reckoned with at large. Whether observing Strange’s Cloak of Levitation methods or witnessing his supernatural prowess on the mean streets against wickedness Doctor Strange spins a wild and weird web of action-packed surrealism that is a welcomed addition to Marvel Comics’ showcasing of super-heroic protective cads feisty in flaws and frivolity.

Cumberbatch is mesmerizing as the self-absorbed genius Strange who perhaps is the best complex Marvel-related protagonist since Robert Downey Jr.’s flippant Tony Stark/Iron Man. The combination of heightened arrogance and high-brow self-doubt and vulnerability tactically works as Cumberbatch sells this portrayal solidly. Although Swinton’s The Ancient One is an intriguing enigma in her own right one must question why the absence of an Asian actor not considered for this particular role may have some scratching their heads in indignation? McAdam’s love interest Christine amounts to only being an afterthought not just in the eyes of her object of affection Strange but to the audience as well.

Thankfully, the other supporting players contribute marvelously to the festivities. Oscar nominee Chiwetel Ejiofor (Cumberbatch’s co-star from the Academy Award-winning “12 Years a Slave”) plays fellow sorcerer Mordo while Benedict Wong assumes the duty as another one of The Ancient One’s followers who guards the school’s sacred scriptures. Mads Mikkelsen is devilishly received as Kaecilius, the former disciple of The Ancient One gone rogue whose agenda in releasing an ominous demon Dormammu to the world will test the will of Doc Strange’s newfound mystical techniques and tactics.

No doubt that **Doctor Strange** is an impeccably surging superhero fable laced with stunning aesthetics and a richly robust score by Michael Giachinno. The high caliber of talent associated with this spry comic book actioner definitely ensures another superhero film franchise-in-the-making as Cumberbatch’s introspective doc administers his **Strange** dosage of Marvel movie-making medicine for the ages.

**Doctor Strange** (2016)

Walt Disney Pictures

2 hrs. 10 mins.

Starring: Benedict Cumberbatch, Tilda Swinton, Chiwetel Ejiofor, Mads Mikkelsen, Rachel McAdam, Benedict Wong, Benjamin Bratt

Directed by: Scott Derrickson

MPAA Rating: PG-13

Genre: Science Fiction & Fantasy/Action & Adventures/Comic Book Fable

Critic’s rating: *** 1/2 (out of 4 stars)

(c) **Frank Ochieng** 2016
Though the core events may not be anything new for the MCU, particularly in so far as its origin stories go (Stephen Strange's A-to-B is virtually identical to Tony Stark's in the first _Iron Man_ film) the psychedelic filter through which we experience these events is entirely fresh!

Not all of the humour lands, and in fact sometimes actually detracts from the story. While the effects are very impressive from a conceptual angle, the graphical end-products do sometimes fall short. Benedict Cumberbatch is a fantastic actor, and does a fine job as Doctor Strange, virtually the whole cast are proven actors, but none are really given the chance to flex those acting muscles to any sort of a newly impressive degree.

Those minor nitpicks aside, _Doctor Strange_ is another very successful entry to the MCU, just further proving that Marvel really know what they're doing in this latest form the film industry has taken.

_Final rating:★★★½ - I strongly recommend you make the time._
I will begin this by saying I was hyped about this film since it was announced because I was always attracted to magic and the supernatural and Doctor Strange is one of my favorite Marvel superheroes.
PLOT:A simple enough story,a brilliant surgeon's journey from the peak of his career to a ruined man,incapacitated due to an accident.Losing all his money in an attempt to heal his hands,he finds out about a mysterious healer in a place called Kamar-Taj.With his last dollars, he gets a one-way ticket to Nepal to find this place and is introduced like so into a whole new world.He has an affinity for what he discovers to be called "The Mystic Arts".He learns and develops quickly but is thrown into a fight with the one who would become his first nemesis, Kaelcilius,too soon.He is almost killed but with the help of his ex-fiancée,Dr. Christine Palmer(who operates on him) he is saved and returns to the Sanctum Sanctorum.He tries to stop Kaelcilius but needs to be rescued again by his teacher,who is killed and leaves him with a valuable lesson.To finally defeated the Zealots he bargains with their boss,catching him into a time loop for all eternity if he does not call his servants off and sets everything right.In the end his ex-friend and mentor,Mordo goes on a quest of finding himself and ends up becoming a sorcerer murderer.
Characters:
1)Dr.Stephen Strange:Benedict portrays him amazingly and is always on point with the character.I liked his journey and how he changed and grew to see that he is just a tiny bit of an infinite multiverse.He was pretty good using magic and I hope he will develop quicker to the Sorcerer Supreme.
2)The Ancient One:My favorite character in the movie.She is a wise teacher,has the best quotes,best battle scenes,best entrances and an amazing battle costume.I loved how even she was aware that for higher goals she needed to cross the line and do things she teaches against and also isn't proud of.
3)Kaelcilius:A tragedy of love brought him to Kamar-Taj where he ascended to the rank of master.Tired of following The Ancient One and still haunted by the death of his loved he seeks to stop time,to give his new teacher,Dormammu our world.Mads was amazing in the role,his whole ideology of time as the enemy of humans and them longing for eternity is interesting and really on point.He briefly achieved his goal,a shame he became a mindless one.
4)Karl Mordo:Another prominent student,who doesn't ask questions,doesn't contradict and is pretty adamant about trust and has lots of issues with bending the rules.He was very disappointing and boring and his only interesting feat was that he became a villain.
5)Wong:Decent but underused character,he will surely be seen a lot in the later movies as Strange's right hand.
Magic:We are introduced to magic as an energy harnessed from various dimensions to create things of need,to conjure spells.An interesting take on such a vague but intriguing subject.
Post-Credit Scenes:
1)Thor scene:takes place in 2017 with Thor asking our Doctor(has gloves,seems more powerful,informed) for help to find his father,trapped on Earth.He accepts with the condition that they would leave our realm as soon as they are reunited.
2)Mordo scene:He went on a quest of getting rid of all the sorcerers of Earth.
Overall:A very decent movie with amazing special effects and super acting.A must see.
**When a science person was the chosen one in the spiritual world!**

You would have not expected it from this director if you had seen his previous films. This was based on the Marvel comics that I haven't touched. So basically I had high expectation to witness another side of Marvel universe with another set of (super)heroes. And surprisingly, it was very entertaining, nothing like other Marvel's heroes/story, except the possession of superpower to fight evil forces.

Firstly, Benedict Cumberbatch in the lead in a Marvel film, I did not think it would work. All I knew is he was a great sidekick, but that image has changed here. He was wonderful, definitely I'll be looking forward to its sequel as they had confirmed at the end. The theme wise, it is similar to most of the superhero tales, but some new concepts were added to it, I mean the superpower and that's what made it so unique.

Just like 'Thor', this film as well had taken the spiritual believes only for the basic platform. The rest of the developments are the clear mix of fantasy (illusion) and science. So it means the film is for theists and atheists. I am one of those who did not like 'Inception', which I think an ordinary action film with multiple layers. But this one was so awesome and it is for the people like me who think 'Inception' failed.

Visually spectacular. I regret missing it out in digital 3D. Its Academy Awards nominee in the category of Best VFX tells the story. There will be a tough contest, even I'm up for 'Jungle Book', but I won't be sad if this wins. The success story of Marvel continues. Not everybody reads comic books, but film goers are the majority. So adaptations like this are people like me. Let them keep coming, I love this format better. This film is not just for the youngsters, but old, families, as well as kids can enjoy, so I hope you won't miss it.

_8/10_
It is actually quite some time since I watched Doctor Strange but somehow the movie must have slipped between the cracks since I appear to have forgotten to review it. So I am about to remedy that now. To put it in simple terms: This is an excellent movie. It is a wonderful display of magical fireworks with a decent enough story to keep it together.

I have to confess that I have not really read many of the comics containing Doctor Strange so it is a bit difficult for me to comment on the aspect of the film versus the comics. From the little that I have read I got the impression that the comic book version of Doctor Strange was a wee bit more dark, serious and mature. This movie starts from the beginning of his career though so I guess there is some justification for the less mature Doctor Strange in the movie.

Doctor Strange is a skilled neurosurgeon but a bit of an asshole. Actually more than “a bit”. He gets involved in a accident, that he pretty much causes himself due to his arrogance. Fast forward to the interesting chapter were we get to see Doctor Strange being, reluctantly, admitted into a scruffy looking monastery on the other side of the planet. That is when the fun starts. Doctor Strange is in for a ride. Slowly Doctor Strange gets knocked into him that magic exists and he is expected to practice it.

The time at the monastery, or perhaps we should call it a school, leads to a few funny episodes and I do like the head monk’s bantering with Strange and the way she does things. Talk about getting thrown into the deep end of the swimmingpool first. Strange’s continued arrogance and immaturity is a bit annoying from time to time though. That has to be said.

What is the use of super heroes if there are no bad guys around. So after Strange having trained for a while, and mostly failed miserably, the bad guys starts to crash the party. So no more pretty living room magic for Strange. It is time to go head to head with some serious competition. Unfortunately, for a good chunk of the first fights Strange mostly falls on his arse. They are still cool and beautiful to watch though.

Slowly Strange starts to get to grip with this whole magic thing and he also starts to shed some of that arrogance of his and take some responsibility. About time since the despicable bad guy are, of course, working towards freeing the real BIG bad guy, father of all evil and mother of everything else bad you can think of. Time for a showdown.

As the fighting escalates so does the user of special effects and personally I though the special effects were both beautiful and spectacular. I really liked them.

I am not sure Cumberbatch would have been my first choice for Doctor Strange though. To me he do not really project the image of the wise and skilled Wizard I expected. He is not bad though. The only other person that stood out for me was the chief monk and The Ancient One which I also quite liked. The rest of the characters, well to me they mostly lived in the shadows of these two, even though they were in general likable and sometimes fun.

There were a few rather hilarious parts where Strange has to reveal the truth about what he stepped in to his former girlfriend. I have a soft spot for the surprise moments in both movies and books.

I rather not get started on time travel since I generally hate it as a story element since it almost always leads to paradoxes or is simply so poorly done that it is blatantly obvious that someone tried to cover up for a lazy and shoddy story. However I guess I have to mention that screwing around with time is an important part of the plot in this movie. Luckily it is done in such a way that it do not, in my opinion, negatively impact the movie. Actually, to my surprise, it is used in a rather cool way.

So, bottom line, a movie I liked quite a lot. 5 out 5 stars kind worth of liking.
I thought marvel was going to far with all the releases.I was right about this one,Dr Strange was like Inception on DMT.Far to much CGI!.And for the story it started off in the right direction then it just ended up going STRANGE.All in all worth a look.But nothing special.
It was only a matter of time before magic and time travel found their way into the MCU, but Doctor Strange is a really well put together origin story on a character that could have been a mess to adapt as a film. Chiwetel Ejiofor, Rachel McAdams, Mads Mikkelsen, along with the Benedicts give the film lots of charisma, but the real star here is the style that Scott Derrickson and his crew were able to create. This is such a cool looking movie, both beautiful to look at and impressively technical.

Like most Marvel movies, Doctor Strange has a mediocre generic villain, but the characters combined with the visuals still make for a uniquely entertaining experience.

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Ex Machina 2015 filme kostenlos anschauen -1080p-FLA

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Ex Machina"




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Adelstitel

Ex Machina 2015

Zeitdauer

195 Minute

Befreiung,Entbindung

2015-01-21

Beschaffenheit

AVCHD 1440p
DVDrip

Genre

Drama, Science Fiction

Fachsprache

English

castname

Asaiah
M.
Josh, Sparsh F. Eslem, Ajwad I. Choi









Ex Machina 2015 Ex Machina ganzer film deutsch, Ex Machina online stream - Ganzer film, Ex Machina ganzer film online stream - Deutsch



When you think you have seen everything about AI movies, Ex Machina arrives and gives a very nice perspective on the matter.

The movie goes quick, not many things happen but they are clever, very well thought. The story is more focused in the moral problems of the human main character rather than in the awe of the creation nor the existencial problem of the AI.

The cast is all great, from Vikander to Mizuno, Glee and great Oscar Isaac.

A real must to watch if you are into the topic.
**Enjoyable, satisfying sci-fi**

Kinda smutty, kinda creepy, kinda evil, thoroughly enjoying.

OK, there's nothing mind shattering but still good fun and a nice pay off imho.

For those complaining it was predictable - if you want something you CANNOT ever predict go watch Predestination https://www.themoviedb.org/movie/206487-predestination

Something about it hit the right chords for me, modern, start up, big loud talker, sad lonely guy.... I've seen lots of those geeks turned CEO's and they don't know what they've become.

Actually more to be said about the Nathan character than the rest.

Definitely worth a watch if you like dark humour and sci-fi.

Irrigator – Wikipedia ~ Anwendung für die Vagina Die Spülung der Vagina nach dem Geschlechtsverkehr ist keine wirksame Form der Empfängnisverhütung Darüber hinaus ist die Spülung mit einer Reihe von Gesundheitsproblemen verbunden Gebärmutterhalskrebs Adnexitis Endometritis und erhöhtes Risiko sexuell übertragbarer Infektionen und wird daher nicht die Vaginalduschen verwenden haben

Norisring – Wikipedia ~ Geschichte Am 18 Mai 1947 fand erstmals ein Motorradrennen auf einer Strecke rund um die Zeppelinhaupttribüne statt Die Steintribüne ist Teil des aus der Zeppelinwiese entstandenen Zeppelinfeldes welches zum Reichsparteitagsgelände gehört Bis 1957 standen Motorradrennen im Mittelpunkt der Veranstaltungen was wahrscheinlich auch daran lag dass Nürnberg damals Sitz zahlreicher

Joey Dunlop – Wikipedia ~ Persönlichkeit Weniger bekannt waren Dunlops karitative Tätigkeiten für s sammelte er in seiner Gegend alte Kleider lud damit seinen Renntransporter und fuhr nach Rumänien Bosnien oder AlbanienFür seine gemeinnützigen Tätigkeiten wurde er 1996 mit dem OBE ausgezeichnet Joey Dunlop war ein aktives Mitglied im Bund der Freimaurer

YouTube – Wikipedia ~ Wie auch beim vergleichbaren Portal Google Video wurde in der Anfangszeit die meist geringe Qualität der Filme bemängelt Mittlerweile ist es jedoch möglich auf eine höhere Audio und Bildqualität HQ umzuschalten Videos stehen unter anderem in den Auflösungen 720p und 1080p und seit Juli 2010 auch 4096 × 2304 Pixel zur Verfügung sofern sie in entsprechender Auflösung hochgeladen

Triceratops – Wikipedia ~ Triceratops von altgriechisch τρεῖς treis ‚drei‘ κέρας kéras ‚Horn‘ und ὤψ ōps ‚Antlitz‘ wörtlich also „Dreihorngesicht“ ist eine Gattung von Vogelbeckendinosauriern Ornithischia aus der Gruppe der ist einer der größten und bekanntesten Vertreter der Ceratopsidae die durch ihre Hörner und ihren Nackenschild charakterisiert waren

BMW HP2 Enduro – Wikipedia ~ Die HP2 wird von einem luft und ölgekühlten Boxermotor angetrieben Der Viertaktmotor hat zwei Zylinder und je zwei Nockenwellen und vier Ventile pro Zylinder BMW entfernte die zentrale Ausgleichswelle der GS wodurch der Motor um 15 kg leichter wird und schneller hochdreht Die zwei Zylinder haben eine Bohrung von Ø 101 mm Durchmesser die Kolben einen Hub von 73 mm bei einem

Thiamin – Wikipedia ~ Thiamin Vitamin B 1 oder Aneurin ist ein wasserlösliches Vitamin aus dem BKomplex von schwachem aber charakteristischem Geruch und ist insbesondere für die Funktion des Nervensystems unentbehrlich Wird das Vitamin B 1 für ca 14 Tage dem Körper nicht mehr zugeführt sind die Reserven zu 50 aufgebraucht Es wird im Volksmund auch Stimmungsvitamin genannt

Moritz Sachsen – Wikipedia ~ Moritz von Sachsen 21März 1521 in Freiberg † 11 Juli 1553 bei Sievershausen war ein aus dem Hause der albertinischen Wettiner stammender Fürst Er war ab 1541 Herzog des albertinischen Sachsens sowie von 1541 bis 1549 Herzog von Sagan und ab 1547 auch Kurfürst des Heiligen Römischen war einer der wichtigsten Gegenspieler Kaiser Karls V bei der Reformierung des Reiches

ProAna – Wikipedia ~ ProAna von pro für und Anorexia nervosa Magersucht und ProMia Bulimia nervosa EssBrechsucht sind Bewegungen von Mager beziehungsweise EssBrechsüchtigen im Internet Sie entstanden Anfang des 21 Jahrhunderts in den Vereinigten Staaten und breiteten sich von dort auch nach Europa aus Die Anhänger von ProAna fast ausschließlich junge Frauen idealisieren die Magersucht und

Speikobra – Wikipedia ~ Video einer Speikobra Video Spuckverhalten von Speikobras Institut für den Wissenschaftlichen Film IWF 2005 zur Verfügung gestellt von der Technischen Informationsbibliothek TIB doi 103203IWFC12830 Quellen Literatur R McN Alexander 1963 The Evolution of the Rome Second Series 102 S 170–181


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Split 2017 filme kostenlos anschauen -1080p-AAF

Split 2017 Online Stream



Split"




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Adelstitel

Split 2017

Dauer

148 sehr klein

Erlösung

2017-01-19

Qualität

AVCHD 1440p
TVrip

Buchgattung

Horror, Thriller

Jargon

English

castname

Neven
L.
Pinette, Doherty P. Yaël, Harsh K. Maëlys









Split 2017 Split ganzer film deutsch, Split online stream - Ganzer film, Split ganzer film online stream - Deutsch



There has been much discussion about whether or not it is socially acceptable to watch Split. I'm gonna skip right over all of that and talk purely about the movie itself.

Anya Taylor-Joy is good, but McAvoy is what makes Split worthwhile. The heavily touted twist/reveal was all but a non-event, even to a M. Night alum like myself. Though it is certainly (in my opinion) the best work The Shamhammer has brought out since at least Signs, it's hard to say that its successes rest on his shoulders. Again, it is for McAvoy that we really owe praise, who, with the exception of his role as the lead in Filth, gives his career best performance.

Final rating:★★★ - I personally recommend you give it a go.
Split was a movie that I was a bit weary to see, I had been bitten by M. Knight before and I wasn't sure if this movie would be worth while. But the trailers looked great and I had always thought James McAvoy was a seriously underrated actor.

Split surprised me. I loved this movie. Ann Taylor-Joy was decent in the film and the Dr was great, but McAvoy knocked it out of the park. Being able to portray all these different personalities with no props such as wigs or makeup shows his talent. It was amazing how one personality made you feel uneasy and perplexed and the next had you smiling and feeling like you were really staring at a strange child. Bravo McAvoy.

The twist at the end made me love this movie even more. Though I'm not sure if you can really cal it a twist. A "reveal" might be the better word for what the audience learns. Whatever you want to cal it, the reveal at the end made me excited to see what's next!

The only thing I didn't like about this film was the unresolved conflict between Ann Taylor-Joy's character at the end of the film.
Besides that, I loved it. Definitely worth watching.
**Didnt see the review section at first so,I posted on the forums**

Not a fan of The director since Unbreakable. It was slightly above average but no whee near the quality of The Sixth Sence. I don't know why I keep watching his movies, probably hoping one will be the same extraordinary quality. With all the pre-release buzz I thought this was finally that movie.

I was so disappointed. I rated it slightly lower than Unbreakable. I don't know exactly where it where it went off the rails, but it never held my attention (and I'm not ADHD- I sit though theee hours of a good bio pic.

A good part of this was the girls trying asinine ways to escape; at other time we see McAvoy play several personalities half heartily. After all the award talk I expected a much better and diverse McAvoy. Sadly, just like the majority of Night's films he has his actors perform methodically. It actually felt McAlvoy was pushing his talents against the brick wall of what the director wanted.

He wasn't the only actor who underplayed the role. So did the doctor and the three teenage girls. First, after all these late night calls for extra appointment why didn't she get upset earlier or pull a personality up (which she has stated she can do) to discover the emergency instead of A casual bye--you-leave when another dominant personality shows up to the appointment.

I rate this in the same category of Nights's films except the quality Sisth Sense and Devil, which he did not direct and only wrote the original story,

As for,the ending, I felt it was a cheap shot. If the point was they are in the same time, the message came across far too,strong. If it is a hitnt to an Unbreakable 2 I'll pass and see another big screen feature.
I read some reviews and gave this movie a shot. I was very disappointed.

M. Night Shyamalan's last good movie, in my opinion of course, was The Village, where he had control over his style.

In Split he tries to use the same formula, but it doesn't work. There was no build up in reveling the plot, and then when we get to the end the feeling I got was : "Is that it ?".

Sure all the actors were good, but that didn't make the experience for me any better.
**The 24th's about to explode!**

The much needed break for the director Shyamalan. It has been over a decade since the last time he was lauded like this for his work. On the paper, it was a simple split personality disaster theme, but cinematically clicked so well. Firstly the performance of James McAvoy made this film a very success. I have seen his lots of films, but if I had to choose only one of his great, that's would be easily this one. A straightforward story, no complication to understand, or needed to explain everything it revolves. Then suddenly the final act turned into a different mode. With a twist, all comes to end.

The three teenage girls have been kidnapped at the beginning. Following that, the victims do not know the situation, but makes a couple of bad moves, except one girl. As the film progress, many secrets revealed to us, particularly about the kidnapper. It all developed to lead in one direction where an unimaginable thing going to happen. How and what result it brings told in the following parts.

The perspective of the story was not really a thing in this. That means it does not take sides, but gives you the option to choose. And most of the viewers would root for the weird girl. It was Anya, and she's having a wonderful career in early stage. Could becomes one of the best if she contributed all her performances in the same pace and intensity. The music was equally awesome. Created the perfect atmosphere along with the visuals. I could have not asked the better one. Best thriller of the year. You will be stupid to miss it out if you love films.

_8/10_
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

James McAvoy plays Kevin, a man with a genetic disease which allows him to have multiple personalities. His trusted psychiatrist, Dr. Karen Fletcher (Betty Buckley), knows 23 of them, but there's one hidden from everyone who desires to dominate over all the others. Compelled by one of his personalities, Kevin abducts three girls, where Casey Cooke (Anya Taylor-Joy) becomes their leader to try and escape the "crazy" man.

Is this the return to form by M. Night Shyamalan, who has been struggling for more than a decade to release a major success? Is Split the movie that brings him back to the spotlight?

Once again, Shyamalan's storytelling is very original, unconventional and ultimately mind-blowing. Instead of establishing everything the audience needs to know about the characters right at the beginning, he gradually develops them, giving them haunting backstories and spreading parts of it throughout the runtime. That said, this film isn't for everyone. The audience needs to trust Shyamalan and be patient. Really patient. Don't start taking notes about something that you think it's negative because once you reach the third act, everything changes and suddenly it all makes sense. The screenplay is not as twisty as Unbreakable, for example, but it demands absolute attention in order to catch up on all the things that matter (and the ones that don't, as well).

The production and editing team have to be congratulated due to their seamless work. From the camera work to the extended one-take sequences, as well as the environment surrounding the characters, everything feels real and looks amazing. The soundtrack ... Let me just say that this element is so, but so much relevant to the conclusion of this movie. I can't really say anything else without spoiling the ending, so I'll leave a note after my rating at the end of the review with a MAJOR SPOILER.

As for the cast, I'll start with the man that I honestly think should have received an Oscar nomination: James McAvoy. You know, there's a big difference in portraying a non-fiction character instead of a fiction one: concerning the former, you can't really escape the true nature of the person you are playing, but with the latter, as an actor/actress, you have to deliver yourself 100% to the role for it to be believable ... And God, does McAvoy deliver! He gives 200% in what could be his best performance to date. Do you think Andy Serkis had problems portraying both Gollum and Sméagol at the same time? Well, imagine 7 ... or 8 characters. I lost the count. All in all, James McAvoy, sir, congratulations! You are superb!

Anya Taylor-Joy is also incredible as Casey! Her character has the most intriguing story of the three girls, and she's the one who assumes the leadership of the group once the kidnap occurs. Her initially unknown past helps her through the traumatic situation, but it's really her rather captivating backstory that grabbed my attention. It's fundamental to the understanding of the ending and Anya does a terrific job. I also want to give a small praise to Betty Buckley for a beautiful and necessary interpretation of Dr. Fletcher, a character that offers the audience some knowledge of Kevin's disease.

As for the other two kidnapped girls, well ... They're my main issue with the film since they don’t have a good reason to be there. Claire (Haley Lu Richardson) and Marcia (Jessica Sula) aren't the main characters, and they don't have that much screen time, but their dialogue still feels extremely forced and filled with a lot of nonsense. The ending of the story might not be as twisty as in other Shyamalan's installments, but I hope that people don't give up to false expectations. The classic Shyamalan's twisty ending isn't a necessary attribute of his movies, but the truth is that the twist is not the one you think it is. Once again, the note at the end of my review will clarify this.

In the end, Split is Shyamalan's return to his old early 2000's self. Brilliantly unconventional storytelling, a lot of suspense, some very captivating subplots and a fantastic editing and production team behind him. The soundtrack plays a huge role in this film, as well as James McAvoy, who delivers his career-best performance. Anya Taylor-Joy is also pretty extraordinary, something that can't be said about her fellow friends who portrayed two bland characters. The ending brings the classic twist that makes everything more understandable, and I gotta say ... I love this film, and it is one of 2017's best!

MAJOR SPOILER BELOW

As I said above, the soundtrack plays a huge role in the ending twist. That's because the soundtrack that plays right before the title of the movie appears on the screen, is the same one as in the third act of Unbreakable.

This is one of the many clues throughout the film that hint at the idea that Split belongs to Unbreakable's universe. Naturally, after the title shows up, there's a scene with David Dunn (Bruce Willis) that confirms this theory, but these are little details that make Shyamalan into a great director and screenwriter. Also, it's a pity that I've only watched these movies after Shyamalan stating that they were part of an eventual trilogy. Not that I was not surprised at the end of Split, but it did remove that first impact of pure shock in knowing that two films separated by 17 years (in real life) are part of the same universe.

Both movies end up falling into the "superhero" genre. Unbreakable is the story of our "hero" who spent his whole life sad because he wasn't doing "what he was supposed to do", and Split is an origin story of our "villain". If Glass delivers, this might be one of the best “superhero” trilogies ever.

Rating: A
You like to make fun of us, but we are more powerful than you think.

Split is written and directed by M. Night Shyamalan. It stars James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu-Richardson and Jessica Sula. Music is by West Dylan Thordson and cinematography by Mike Gioulakis.

Three girls are kidnapped by a man with a diagnosed 23 different personalities. They must try to escape before the apparent emergence of the 24th - known as The Beast...

We now know that Split is the second instalment of a trilogy by Shyamalan that began with Unbreakable and is ending with Glass (released 2019). Always proving to be a most divisive director/writer/actor, Shyamalan has returned to the sort of noticeable form that had him earmarked in his early days as a director to follow - with the proviso that inevitably this is going to still infuriate some for its handling of the subjects at hand.

The plot trajectory is simple enough, girls kidnapped by a patient suffering from multiple personality disorder, as the girls in fear try to escape, a number of his personalities put in an appearance. Which builds up to the finale, which explodes after following on from the suspense and dread atmospherics so beloved by the director. In the mix joining the mental health issue with our main protagonist is a good meaning doctor (naturally), and the spectre of child abuse rears its ugly head. So not a movie to be cheered up by then! While if looking for a detailed and attentive look at the mental health issues to hand you will be disappointed.

However, there is a style to the picture in how it draws you into the predicament of the main players, boosted no end by McAvoy on irresistible form. Given licence to chew every scene, he delivers his various characters with great relish and no little amount of skill. Props to for Taylor-Joy, who as the lead kidnappee has deftly blended youthful innocence with resourceful strength (aided by Shyamalan's writing of course). Conversely, Shyamalan is guilty of just making a pic for entertainment purpose, which works as it's a very good creepy thriller with its black humour moments, but the mental health plot devices ensure his gimmicks will not be welcomed by all. 7/10

SPL Princess Anastasia – Wikipedia ~ Die SPL Princess Anastasia ist ein Fährschiff das von der russischen St Peter Line seit dem 31 März 2011 im Verkehr zwischen Stockholm Tallinn und Sankt Petersburg eingesetzt wird Der Besuch von Russland an Bord dieses Schiffes ist für 72 Stunden visumsfrei wie auch an Bord der Princess Maria die bis zum November 2016 im Verkehr zwischen Helsinki und Sankt Petersburg war

Luftfahrerschein für Segelflugzeugführer – Wikipedia ~ Situation in Deutschland Grundlage in der Bundesrepublik Deutschland ist die Verordnung EU Nr 11782011 vom 3 November 2011 zur Festlegung technischer Vorschriften und von Verwaltungsverfahren in Bezug auf das fliegende Personal in der Zivilluftfahrt gemäß der Verordnung EG Nr 2162008 des Europäischen Parlaments und des Rates

Luftfahrerschein für Luftsportgeräteführer – Wikipedia ~ Der Luftfahrerschein für Luftsportgeräteführer engl Sport Pilot Licence SPL ist ein Pilotenschein der zum Führen von Luftsportgeräten berechtigt

Saw – Wikipedia ~ Michael Kohler kritisierte im filmdienst Ausgabe 032005 die schlecht gezeichneten Figuren die lediglich dramaturgische Funktionen übernehmen würden V A Musetto von der New York Post stellte fest dass der Film einige billige Nervenkitzel habe die letztlich aber nicht ausreichen würden um den sinnlosen Plot erträglich zu machen Zu einem ähnlichen Schluss gelangte auch Roger

Splügen GR – Wikipedia ~ Das Dorf Splügen liegt auf 1457 m Höhe im Rheinwald am Hinterrhein sowie an der Verzweigung der Routen zu den Pässen Splügenpass und San Pässe wurden schon in römischer Zeit als Verbindungsrouten nach Italien genutzt Das markanteste Hotel ist das 1722 erstellte Hotel Bodenhaus Aus dem Seitental zum Splügenpass fliesst bei Splügen der Hüscherenbach in den Hinterrhein

Schalldruckpegel – Wikipedia ~ Der Schalldruckpegel englisch Sound Pressure Level und oft mit SPL abgekürzt ist eine logarithmische Größe zur Beschreibung der Stärke eines gehört zu den SchallfeldgrößenHäufig wird der Schalldruckpegel obwohl dann physikalisch nicht eindeutig auch einfach Schallpegel genannt

Chandelle – Wikipedia ~ Die Chandelle franz für „Kerze“ ist eine Figur ist nicht im ArestiKatalog enthalten mithin also keine ist auch nirgends definiert wie die „korrekte“ Ausführung auszusehen hat und es gibt hierüber entsprechend divergierende Ansichten

Gespeicherte Prozedur – Wikipedia ~ Allgemein Mittels gespeicherter Prozeduren können häufiger verwendete Abläufe die sonst durch viele einzelne Befehle vom Client ausgeführt werden würden auf das Datenbanksystem ausgelagert und durch einen einzigen Aufruf CALL oder EXECUTE ausgeführt werden siehe auch ClientServerSystemMitunter wird dadurch die Leistung gesteigert da weniger Daten zwischen Client und

Privatpilotenlizenz – Wikipedia ~ Die Privatpilotenlizenz PPL englisch private pilot license ist eine Lizenz zum nichtgewerblichen Fliegen von Luftfahrzeugen Dabei wird zwischen PPLA für Flugzeuge A steht für engl aeroplane und PPLH für Hubschrauber H steht für engl helicopter sowie LAPL engl light aircraft pilot licence für Leichtflugzeuge bis zwei Tonnen MTOW unterschieden

Abstandsgesetz – Wikipedia ~ Das Abstandsgesetz oder Entfernungsgesetz beschreibt die Abnahme einer physikalischen Größe mit wachsender Entfernung zur Quelle oder zum Sender Voraussetzungen sind eine punktförmige Quelle näherungsweise kleine Ausdehnung der Quelle im Vergleich zur Entfernung die isotrop also nicht gerichtet emittiert und ein freies Feld ohne reflektierende Berandung


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American Hustle"




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Ehrentitel

American Hustle 2013

Zeitdauer

144 Augenblick

Verzicht

2013-12-12

Qualität

MP4 720p
Bluray

Gattung

Drama, Crime

Fachsprache

English

castname

Danaya
R.
Hallier, Tayab X. Mahmoud, Diyanah D. Labbé









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Good
American Hustle is has a heavy dose of Scorsese circa 1970s with the violence replaced more by black humour.

Christian Bale, Amy Adams, Jennifer Lawrence, Jeremy Renner and Bradley Cooper all deliver excellent performances. Robert De Niro makes a cameo and reminds the audience why he was at one time the best screen actor in the world.

This is a black comedy-drama set in the late 1970's based on the true life Abscam scandal. FBI agents and con artists joined up to frame politicians for taking bribes.

Bale plays a pot bellied hustler with bad hair. Amy Adams is his partner in crime who passes off as an English Aristocrat. Both have struck it rich in a scam where they dupe arrangement fees for loans that never come to fruition.

Cooper is the ambitious FBI agent with a big ego who has the the mafia in his sights and wants to reel in a big catch but he might be out of his depth.

Jeremy Renner is the charismatic Mayor of New Jersey. A man with a big heart who wants to get things done and Bale feels guilty about getting him involved in the sting operation.

Director David O Russell gets great performances from his cast but the film feels flabby which blunts the story and the humour feels stretched at times.

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Sachtitel

The Girl with the Dragon Tattoo 2011

Dauer

129 Besprechungsprotokoll

Freigabe

2011-12-14

Beschaffenheit

MP4 720p
DVD

Genre

Thriller, Crime, Mystery, Drama

Sprachfähigkeit

English

castname

Loucas
T.
Joël, Deenah Q. Imbert, Billye E. Zion









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The Hunger Games"




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Rechtsanspruch

The Hunger Games 2012

Geltungsdauer

199 winzig

Freisprechung

2012-03-12

Eigenschaft

M2V 720p
DVD

Genre

Science Fiction, Adventure, Fantasy

Sprache

English

castname

Amol
O.
Willena, Shany M. Fortun, Fersen G. Marx









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Very well made movie with quality writing, acting and cinematography.

**Pros**: strong performance from the star. Technically excellent.

**Cons**: Seems to me that the ending was premature but perhaps intentionally so - for a sequel? Character development is largely weak but there are a lot of characters and already a long movie so I suspect a lot was left on the cutting room floor.

Despite some weakness, still a compelling movie worth a watch if not up to all of the hype.
Stories about revolution can be quite good. But stories about why a revolution is needed are invariably great. The Hunger Games is such a story.

The movie (for the most part), closely follows the book, and does a good job of it. It also sets up the next book/movie beautifully, even better than the book itself does.

The premise, of course, is borrowed from Ancient Rome, when gladiators and/or criminals an/or people whom the emperor wanted killed were forced to fight each other to the death in a public arena for the entertainment of the general populace. And just as decadent as Rome was back then (only rescued from itself by the rise in prominence of The Christian sect), so the "Capitol" is now portrayed in the film/book---and the film portrayed the affluent decadence of the Capitol quite well.

In this particular instance the "tributes" were chosen at random from among children aged 12 through 18, and it was meant as retribution and reminder of the "crimes" the 12 colonies committed by reveling against the authority and rule of the Capitol 74 years ago. At the public "reaping", when a boy and a girl were chosen to become the sacrificial tributes at teach of the 12 colonies, the Decree of Punishment was read and the colonies were reminded that this punishment was established to demonstrate how weak the colonies were in comparison with the Capitol, in that the Capitol could take the most prized possessions of the colonies (namely, their children), and the colonists themselves could do nothing about it. And to really rub it in, the colonists themselves were forced to watch the tournament proceedings.

I have to say, the punishment is deviously clever from the point of view of the Capitol. It certainly keeps the Colonies divided in spirit (they were already segregated physically, with no communication between them allowed by the Capitol), for in cheering for their own children they are therefore cheering for the defeat---and therefore death---of the other colonies' children. It also keeps colonists divided within each colony, for there can only be one champion, which means that in wishing their children not to be chosen at the reaping, each colonist is thereby wishing that someone else's children be chosen. Furthermore, in celebrating that their children were not chosen, they are also, incidentally, celebrating that some other person's children will likely die. And for the families of the chosen children, in supporting their own family member during the tournament, they are incidentally supporting the death of the other family's child. And it keeps the population of the colonies low, which the Capitol would want to promote (less chance for another insurrection if the population is low): for the youngest are taken, before they are married, and those who survive the yearly reapings will think twice about having children of their own and having them go through this traumatic process year after year during their most vulnerable adolescent years. And furthermore, the Capitol encourages the colonists' tacit endorsement by rewarding the winner's Colony with extra food that year (hence "The 'Hunger' Games"). But it is all manipulation, in the end.

In fact, by the end of the Games, right before being killed himself, one of the most avid killers among the children realizes just how much it all is the Capitol's manipulation, how pointless it all is to those who participate, and how, in the end, he didn't really have a chance---that he was destined to die from the beginning---and that killing or being killed is all that not only the Capitol, but also his Colony, want from him. An eye-opening realization for someone who up to this point had been quite eager to kill his fellow children.

Given the vicious circumstances which were thrust upon these children---none of which is their fault---the question naturally arises: how should a child bound under the moral law behave? Should he try to win, by killing the other children? Should they try to win at all? Should they let themselves be killed, in order that another might live?

Of course, the obvious moral choice would be for none of the children to participate in this horrendous form of reality television: if they do not fight each other the show is not interesting, and eventually it is discontinued. The children would likely still be executed, along with many of their own family members in reprisal from the Capitol. If one thinks in terms of consequences only (utilitarianism), then this would be the wrong approach: after all, they would say "it is better that one person survives than that they---and all their families---die". But such thinking is quite repugnant, however logical it is. Consequentialism is missing a big piece of the moral landscape, namely that we ought not to become evil ourselves in our fight against evil. Yes, the consequences of "civil disobedience" as could morally be practiced in this scenario are more dire in terms of the quantity of damage made. But they are much more preferable in terms of the quality of damage made. By fully participating in the carnage (and inflicting some yourself) you become complicit in the very evil which oppresses you. Similarly, your family, and even your colonies (and all colonies, for that matter) become part of the system, and in some tacit way endorse it---for they all want their children to live, and tacitly support the other colonists' children's death. Furthermore, what kind of person does one become after killing 23 children by brutal means at a very young age (when the impressions of life still shape us in a powerful manner)? What kind of society does one help create when one has inwardly become a psychotic monster? What kind of society abides criminal monsters in its midst?

But, some will claim, it is unrealistic to expect each and every child to be morally minded, especially when some children (from two different colonies which are highly favored by the Capitol) actually volunteered for the "honor" to represent their colonies at the tournament. What is the correct moral response when civil disobedience is not an option (no opportunity) and some, if not most of the other children are out to kill you, whether by pleasure or need to survive?

It seems to me there are two possible moral responses. one of them is the route of self-defense, whereby one does not intentionally kill or go out of one's way to engage the enemy, but tries to flee as a first alternative, BUT where one DOES defend oneself against the attacks of others, and inflicts only as much harm as is necessary to stop the aggressor, AND only if absolutely necessary one uses lethal force. In the end, very likely, the Capitol would force matters to a resolution, either by forcing "aggressors" and "defensors" into a particular area (very good television), or by artificially creating natural/artificial disasters which killed whomever they disliked most. But, again, this would be the Capitol's doing: an evil force acting evilly which one cannot stop. One would have been preserved from sinking to doing/becoming evil.

The other moral route, the more perfect route, would be the route of Jesus: to willfully become the sacrificial lamb for the sake of spiritual (and therefore) moral change. The martyrs of the Church have for ages followed this route, to the spiritual benefit of the whole Church, and the cultural benefit of all humanity. The spiritual benefit is quite and readily seen through the Communion of Saints, whereby these martyr's love renews and creates the Church anew, greatly adding to the spiritual gifts of which the rest of us partake---gifts which slowly transform us for the better, over years and generations. And it is this transformation which over the centuries affects culture. Gradually better people live their lives out in gradually better communities. And Love wins out at the end of time. After all, very few societies nowadays would consider it acceptable to inflict the tortures which were inflicted to prisoners (especially Christians) in the ancient days of Rome: we are all repulsed by the Capitol's Decree of Punishment. If we only partook more of those graces which Christ offers through His Church!

One particular odd feature of the book (and the film) is the avoidance of any mention of God or religion whatsoever. Not even empty phrases deriving from religion appear ("My Gosh", "God willing", Christmas, Thanksgiving, etc.). Why is that, especially when the subject matter so clearly lends itself to a religious treatment? Why is that, when the least historically educated among us would have heard the stories of the Christians ushered into the Colosseum to be executed/sacrificed? The closest religious reference is when Katniss Everdeen improvises a type of tribute around a fallen friend and ally in the game by creating a bed of flowers for her: the very earliest expressions of the religious impulse, as some Anthropologists would tell us. Why has the author scrubbed her book from religion at all? Is she so antagonistic to religion that she will not abide it in her book, even when it seems quite apt? If so, the bed of flowers tell us that the most primitive of religious impulses remain with her still. Or is the author trying to appeal to everyone, thus removing religion from the surface of her story so as to not alienate people of different religion than the one she chose to portray, while at the same time infusing her work with religious themes at the substrate level, where they are more powerful? Or is her point that the despotic Capitol destroyed all hope quite successfully, even the Hope of God? Given the richness of the religious themes I see in this book/movie below the surface, I am very much inclined to believe that the last of these options is the correct one. But I may be seeing what I want to see, simply because I like the story.

Now, turning to the more artistic features of the movie: The most impressive performance was done by the actor who played President Snow. His facial expressions were insuperable and spoke tons in the few lines he delivered throughout the film. His performance was astoundingly good, his face delivering contempt, skepticism, and hatred (sometimes all at once) along with the "weight of office" while speaking seemingly innocuous lines, or even while congratulating the winners (there were two winners from District 12, thanks to the cleverness of Katniss Everdeen in turning the television show against its organizers!) of the 74th Hunger Games. He single-handedly set up the next movie installment.

But the casting of Peeta is all wrong. From the book it is clear that Peeta is not handsome at all, that Peeta is the boring guy who never had a chance when it came to women, and who doesn't have a chance when it comes to Katniss Everdeen who clearly has feelings for another guy. Which makes it all the more poignant that he is desperately in love with her, and is willing to give up his life for her. In the movie he is played by a movie-star-handsome actor who clearly would have trouble keeping women away from him, and who would therefore be quite self-centered and clueless, rather than the thoughtful man he is in the book.
I had not really bothered to put this movie on my to-watch shelf since I felt it was not really my cup of tea but when my wife and oldest son wondered why we did not have it in our collection I thought, well, okay let us get it then. Actually I got the set with the two movies that have been released and yesterday we watched the first one.

Well, as far as I am concerned, it is not a turkey, it is rather “okayish” but I certainly do not understand all the hype. It is really far from a great movie. But then, I am probably somewhat biased since, as I wrote above, I did not really think this movie was my cup of tea. Anyway, it starts of with a lot of scenes in “wobblycam”. I have not met any person outside of the movie industry and self-proclaimed so-called “critics” that actually likes it when the camera wobbles around, scenes are blurred and you generally get nauseous by watching. Bad start!

The backbone of the story is ludicrous to say the least. Part of the world leaves in luxury when the rest is starving. Been there, seen that. Every year a seemingly random selection of kids, not adults but kids, are selected to fight to the death under some silly pretext of “preserving the peace”. As I said, ludicrous. The entire air of ludicrousness is enforced by the wacky costumes, makeup and hair styles of the people in the capitol. As I science fiction and fantasy fan I could easily live with this but, sadly, the movie made me only mildly interested in following the characters to the end.

The acting in general is adequate but nothing special. Having said that it must be difficult to actually make anything out of some of the silly roles in this movie. I for sure would laugh my head off every time I entered a scene with all of those ludicrous (yes I know I have used that word a lot in this review, live with it) costumes. The main characters act like the children, with absolutely no clue what they are doing, that they indeed are. This is of course entirely in line with the story but still, the main character is spending a lot of the time running away and sitting around looking startled, sorry or depressed when the games start. I have to say that, at times, the movie felt a bit boring. I have liked several movies that are very slow but here it simply did not sit right.

The games themselves with those dickheads in control and the changing rules, well they were mostly frustrating.

This movie, to me, is a movie for a young adult audience. I have not read the books and I can see how this kind of story would work for a YA book. Personally I was not unhappy having seen the movie and now, having watched the first of the movies I will watch the rest as well but for me it was okay as a two-hour diversion, nothing more.
I don't really know what's so special about this movie. I found "The Running Man" or "Total Recall" much more deep thought than this. Is it maybe that the main character is a female?

Still, it is entertaining and, in this regard, it does its job.
The Hunger Games is a new concept in a long line of post-apocalyptic future fantasies. Where other stories of the same genre often deal with technology and artificial intelligence as the main threat to human existence, Hunger Games actually takes us back to Roman times, with a revitalised version of "Panem et Circenses" or "Bread and Circuses". Simply put; human devastation as mass entertainment. Welcome to Panem: formally known as The United States of America, where every year, a young man and woman from each of the twelve districts are selected to fight each other to the death, with only one possible survivor. These Games are broadcasted on national television as a means to keep the people happy and submissive.

Considering the fact that this film is based on a teen book series (written by Suzanne Collins), I can't help but feel this concept is pretty far out there, and actually it's kind of sick. It's not a pretty idea to think that one day we might live in a world where watching young people, ranging from 12 to 18 years old, brutally murder each other is considered to be a form of mass entertainment. Thankfully, this is 'just' a story, and I must say, a very entertaining one at that (no pun intended).

The story revolves around the two youngsters from District 12, where the people are dirt poor and life is utterly desolate. 16-year-old Katniss Everdeen volunteers as 'tribute' to fight in the Hunger Games, after her little sister is initially selected. Her male counterpart is Peeta Mellark, and together they set off to train for and participate in the Games.

The character of Katniss is played by Jennifer Lawrence, and she is terrific. Actually, she is my biggest recommendation for watching this film. Before this, I had only seen her in X-Men: First Class and thought she was pretty good, but after seeing The Hunger Games, it's not hard to see why this 21-year-old already has her first Oscar nomination under her belt. She has a very natural quality about her, which makes it very easy to make you empathise with her character. She's not a superficial, happy-go-lucky kind of girl; she's actually very sullen, not even particularly likable. And yet you just love her from the get go. I guess it's charisma, and Jennifer Lawrence definitely has it.

Actually, this film is full of great actors. One of the greatest is definitely Stanley Tucci, who plays his most flamboyant role yet. His character (Caesar Flickerman, the TV-host who emcees the Games) is ridiculously over-the-top, but brilliantly amusing. With blue hair, prosthetic teeth and a big horse's smile which he flashes incessantly, he looks like a PG-13 version of the Joker. And if you're at all familiar with Tucci's work and talent, you know just what I mean when I say he's making this character appear to be oh-so nice, yet subtly sadistic at the same time. He's just great, period. Woody Harrelson also has a pretty interesting role as Haymitch Abernathy, a once-winner of the Hunger Games, who now mentors Katniss and Peeta in their training. He's scruffy and gnarly, basically just typically another weird Woody character, which is always worth the watch. Wes Bentley plays Seneca Crane, a character most notable for his unusual facial hair: he sports a beard Lucifer himself would be proud of. However, the biggest surprise to me was Elizabeth Banks, whom I am well familiar with, but never really cared for because I only know her from superficial, comedic roles. I was pleasantly surprised to see that she can also play challenging roles like this one. She plays Effie Trinket, a bizarre, neo-Renaissance type from the richest District, big wig, crazy make-up and all. She's pretty much the female version of Tucci's character and she was a delight to watch, beautifully grotesque in all her decadence.

Unfortunately, it can't all be great. I had three major problems with this film. One: if you haven't read the book, there's a lot that doesn't make sense. They really should have spent a little more time explaining everything, because more than once it simply wasn't clear to me what was going on and why. And that's a risk no filmmaker should take. Two: Peeta's character. It could be just me of course, but he annoyed the crap out of me. He just comes across as such a sissy that it's frustrating to watch. Katniss burns her leg and deals with it. Peeta cuts his leg and stays lying in a cave because he "can't walk". And then he lets her take care of him, at the risk of her own life. Give me a break. Three: totally disappointing climax. I was waiting for fireworks, for Katniss having to make brutal decisions, but this never happened. It just kind of faded out.

And this is how you can clearly tell this story has a mainly teenage demographic, and they obviously wanted to keep it PG-13. Because despite the sometimes pretty brutal violence, nasty use of weaponry and tomato ketchup-a-plenty, overall the whole just lacked, well (pardon my French)...balls. You can tell they tried to spike things up a bit here and there, but the film failed to make things truly interesting at moments where it definitely should have been. In my opinion, had they decided to make this rated-R, it would have been infinitely better.

Having said that, you can rest assured there is still plenty to enjoy. Visually it is absolutely awesome and simply beautiful. The costumes and make-up are great, as are the CGI effects. The characters (aside from Peeta...) are great, and the whole futuristic 'universe' that is created is pretty inventive.

There is actually still a lot more I would like to say, but I've reached my word-limit, so I'll just leave you with this: Thumbs up!
_(April 2012)_
A powerful movie that crosses several genres. From various post-apocalyptic movies we are shown the world after a worldwide disaster that has destroyed our civilization and left a more brutal one. From Spartacus the idea of gladiator games, with the added horror that these "fighters" are children who are presumably too naive to put up any resistance to the regime. From 1984 we have futuristic technology which can monitor anything the victims do, giving them no privacy in their last moments.

But the originality is in the heroine -- a tomboy determined to stay alive without losing her integrity. How can she keep herself and her friends alive in a fight when only one victim will be allowed to leave the arena intact, and an entire decadent empire is arrayed against her? This part was given to Jennifer Lawrence, who impressed audiences so well that she inspired numerous later action heroines -- Tris in DIVERGENT, Wonder Woman, Arya Stark, and others

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