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Titulierung

Ghostbusters 2016

Dauer

128 winzig

Freigabe

2016-07-14

Beschaffenheit

MPG 1080p
BDRip

Gattung

Action, Fantasy, Comedy

Fachsprache

English

castname

Thibon
A.
Cocéa, Taisia U. Sharri, Gusdorf E. Valiron









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"While it falls short of nailing the anarchic spirit and character chemistry of Ivan Reitman’s beloved 1984 blockbuster, Feig and his cast of game comediennes deliver enough thrills and giggles to both justify the long-in-development franchise-starter and smother the internet’s white noise of negativity..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/7/12/ghostbusters.html
Filmmaker Paul Feig's **Ghostbusters** reboot pretty much followed the characteristic aspects of his previous films ("Bridesmaids", "The Heat", "Spy") all incorporating a self-awareness of female-oriented friendship and the estrogen-driven escapades rooted in inspired goofiness. So given this familiar foundation of Feig's big screen blueprint one would expect that his creative input into the continued Ghostbusters franchise for the millennium moviegoers would result in the heralded hype his film project is now enjoying at large. Sure, the feminine-charged **Ghostbusters** seemed like a radical concept and would obviously trigger the nostalgic sentiments (and comparisons) of the classic 80's comedy spearheaded by beloved on-screen paranormal hucksters Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson. Nevertheless, singer Ray Parker Jr.'s lyrical catchphrase "Who you gonna call?" within the Ghostbusters theme song needs to be addressed accordingly. The answer: the handlers behind the original **Ghostbusters** film that could uplift the disjointed high jinks and synthetic silliness of Feig's current comedic ghostly she-power schlockfest.

It is only natural that **Ghostbusters** had high expectations for Sony Pictures to perform well given the aggressive marketing tactics, early release of the Ghostbusters movie trailer (which was heavily panned online) and the aforementioned cinematic legacy of the original film's fanatical following and reputation. However, this third installation of **Ghostbusters** feels curiously flat and strained in its stillborn witticism. The creep factor borders on campy and cheesy (although this effectively worked for Ivan Reitman's 32-year old spook-ridden farce in the eighties) for which in today's cinematic circle is inexcusable due to the edgier and challenging special effects that could have played up the whimsy and wonderment of this breezy, bubble-gum colored romp with seemingly low-grade spark and sizzle.

Feig's interpretation of the **Ghostbusters** universe could have been fresh and favorable especially with the colorful casting of his capable four female principals in the Emmy-winning and Oscar-nominated Melissa McCarthy along with Saturday Night Live personalities Kristen Wiig, Kate McKinnon and Leslie Jones. Unfortunately for these noted funny ladies they were saddled (or slimmed if you will) by a transparent script almost as invisible as the pesky ghosts they are trying to pacify. The recycled by-the-numbers hilarity and hysteria does not make this brand of ghost-busting quite distinguishing. Chemistry-wise, the Ghostbuster gals seem to revel in the collective merry-minded mischievousness and genuinely try to bring energy and outrageous antics to this flaccid frightfest. Still, the mixture of Ghostbusters' gooey gumption with a dash of egghead feisty femininity never seems to translate into anything beyond the tired gimmick of promoting another excuse to tap into yesteryear's profitable fun and frolic that made the wise-cracking Murray and his klutzy cohorts so amusing and welcomed in their rollicking ghostly gem from the Reagan-era.

Quite frankly the notion that **Ghostbusters** is unfairly being knocked for its misogynistic overtones fueled by bias Internet-based fanboys not accepting that nerdy womanly scientists cannot fill the shoes of their revered male counterparts from the previous two predecessors is somewhat misleading. Sure, the decision to cast an all-female **Ghostbusters** team turned some curious heads but for the most part many thought this to be rather intriguing and experimental. The actual disdain can be pinpointed to the fact that Feig's flimsy boo-spewing fable is grounded in cliched and forced chuckles, weak-kneed jokes and gags, lazy writing and uninspired visual neon lighting techniques that look like a cheapened explosion from a vintage late 70's New York discotheque.

Unfortunately, **Ghostbusters** wallows in mediocrity and fails to capture the acquired giddiness and imagination so pronounced in the prior entertaining installments. Even if the original actors in Murray, Aykroyd, the late Ramis and Hudson had decided to reprise their roles under Feig's problematic production the results would be the same--an aimless reboot without any definitive bite or backbone for a cobbled comedy that is slight and stretched thin to its toothless core. Amazingly, **Ghostbusters** cannot decide if it should remain faithful to its humble roots (it does help trivially that iconic Ghostbuster notables make scattered cameos--sans Rick Moranis--including that glorified scene-stealer in the Stay Puft Marshmallow Man as well as hot dog gulper Slimer) or venture off into something resembling its own goofy identity and distinction. Either way the third time around simply meanders in over-produced, noisy emptiness.

The so-called plot in **Ghostbusters** focuses on college professor Erin Gilbert (Wiig presumably in the Murray/Dr. Peter Venkman role) and her fascination with ghost activities that end up costing her an academic career in the process. Specifically, Erin's controversial book that she wrote along with co-author Abby Yates (McCarthy) served as the basis for her firing. Abby's obsession with ghosts still has her invested with this spirit phenomenon that she researches defiantly with her kooky associate Jillian Holtzman (McKinnon) in tow. Eventually, it would take the trio's status of joblessness (not to mention a run-in with a slim-spewing ghost that loves soaking humans with its sticky green goo) to collaborate on going into business as paranormal exterminators out to showcase their expertise in "busting ghosts".

In the meanwhile, there is something brewing in the twisted mind of supernatural-loving freak Rowan North (Neil Casey). After all, he is the lost soul responsible for unleashing the onslaught of riff-raffish apparitions upon New York City courtesy of his miserable, lonely existence. Now it is up to Erin, Abby and Jillian to eliminate Rowan's sinister agenda and eradicate the spooky pests that he has manipulated to cause the city-wide panic. As Internet sensational darlings, the Ghostbusters are committed to step up to the plate as the sassy saviors they were meant to be since going into the ghost-busting industry.

The later arrival of street-wise transit worker Patty Tolan (Jones) completes the Ghostbusters' quartet. Patty, whose run in with one of the slimy ghosts in the subway tunnel was pivotal to joining the three scientists, has something to offer the ghost-chasing brainiacs--a.) her knowledge of the city's whereabouts and b.) her funeral director uncle's hearse that serves as the official transportation for the Ghostbusters.

Overall, the third outing regarding this toothless entry **Ghostbusters** notoriously lacks the robust impishness and rapport of the male character counterparts that were devilishly drawn together and cemented by Murray's droll humor. Here, the ladies come off as bland and indifferent--at least for the Paul McCartney and John Lennon of the team in Wiig's Erin Gilbert and McCarthy's Abby Yates. McKinnon's Jillian Holtzman is the only truly spry Ghostbuster who is credible as an off-kilter genius ditz with off-the-wall likability. Some may gravitate towards Jones's stereotypical brassy black chick with the brash quips and animated overreactions. Although Jones brings in the high-wire urbanized smirks in contrast to her quieter, geekier counterparts it is cringe-worthy watching her play an over-the-top, towering, mouthy cultural exaggeration that is woefully embarrassing for the sake of this dismissive. hedonistic hoot.

Ironically it is the hunky Chris Hemsworth that fares decently as the handsome himbo Kevin, the dim-witted **Ghostbusters'** male assistant that serves as the doltish eye candy for the cerebral lasses, particularly for the smitten Erin. Another SNL alum, Cecily Strong, checks in as the menacing mouthpiece from the Mayor's office that tries to discredit the popular ghost-busting technicians as "sad, thrill-seeking women".

Feig, serving as both the film's director and co-screenwriter (along with "The Heat" scriber Katie Dippold) has no cohesive vision for the listless **Ghostbusters** and could have used some critical pointers in studying the proven anatomy of what made Reitman's nostalgic vehicle so engaging that still thrives after three decades since coming into the movie audience's consciousness. From the lame and limping laughs dipped in cartoonish crudeness (i.e. a male ghost gets a rousing jolt to his "junk" courtesy of his heroic ghost-busting detractors) to musical acts Fall Out Boy's/Missy Elliott's relentlessly unrecognizable, erratic and choppy remake of the aforementioned Parker's infectious **Ghostbusters'** theme song in this regurgitated comedy that has no excuse for catering to a lackluster rebirth while die hard and casual fans patiently waited for a festive follow-up from Murray and crew for thirty-plus years.

To randomly quote a classic **Ghostbusters'** lyrical line: "I ain't afraid of no ghosts". This may be the case but one should be very afraid of this heavy-handed banal boofest for wasting their time, anticipation and consideration.

**Ghostbusters (2016)**

Sony Pictures

1 hr. 44 mins.

Starring: Melissa McCarthy, Kristen Wiig, Leslie Jones, Kate McKinnon, Chris Hemsworth, Neil Casey, Cecily Strong, Charles Dance, Michael Kenneth Williams, Matt Walsh, Ed Begley, Jr.

Directed and Co-Written by: Paul Feig

MPAA Rating: PG-13

Genre: Comedy/Supernatural/Science Fiction/Action and Adventure

Critic's rating: ** stars (out of 4 stars)

--Frank Ochieng (c) 2016
I was determined to see this movie on opening day. Female cast, Paul Feig (a Michiganian who included a Michigan line in the film), a couple fistfuls of ridiculousity on social media. When the movie started, I was one-eyeing the screen. Waiting for it. Oh oh. Fart joke. Oh oh. Kristen Wiig still can't make her eyes look interested. Then Charles Dance shows up with his serious comic tongue stuck in his cheek to admonish Prof. Gilbert that if she is serious about tenure, she needs to find a more prestigious university recommendation. "More prestigious? Than Princeton?" Now I know the deadpan eye comic genius of Wiig, too. From that point on, I was in love with the story. Katie Dippold cowrote the film. She has a bit part as the real estate agent showing the team the 1984 movie's fire station to rent. I want more of her screenwriting. The dialogue is witty, sharp, real. While I liked the 1984 Ghostbusters, it's a buddy movie. Dudes in the treehouse with no girls allowed spelled wrong nailed to the door. Smug, chirpy, guybonics. Venkman electrocuting rivals in the lab: using paranormal research to get dates. Annie Potts drooling over Spengler. Sigourney Weaver in a diaphanous dress, draped on a parapet waiting for the Gatekeeper. The sore spots in 1984 are sprayed away in 2016 without gender disrespect. Gilbert gets to drool over the pretty doofus administrative assistant. When you see this movie, watch all the credits. Chris Hemsworth is a clearly confident actor - he dives pelvis-first into the Kevin role, and it's hilarious. I'm still searching for the creator of the titles and end credits. Excellent art. The poster? Not so much. Hemsworth needs to be behind the four leads. Geez. Casting hit a lick with Kate McKinnon as Holzmann. She is fantastic bringing Harold Ramis' genius back to life. Leslie Jones as Patty: so good, and she has some of the juiciest lines, delivered with haute sass. There are really well-placed cameos by 1984's cast, including birthing one of the movie's best lines "safety lights are for dudes." 2016 Ghostbusters is a great fun movie, and I'll watch it more than once again. One of the brilliant visuals that I was thrilled with - the stream from the proton packs tied up the ghosts. Wrapped, pinned, contained lassoed. Genius analogy for what to do with obsolete stereotype. There's a lassoed line in the film while the Ghostbusters are reading the internet reaction to their first catch. "Ain't no bitches gonna catch no ghosts." Yeah. Watch this.
Unfortunately this has become because of political correctness and its backlash almost impossible to rate objectively. In the 2016 North American wish to either redo every successful film ever made and present every conceivable variant in the process, for what could be deemed the lack of any possible originality of ideas, I still tried to enter this with an open mind, and see this as if the two films from the 80's (which I enjoyed very much the one time I saw each of them) had never existed. I should state I saw this in 3D (which I hardly ever do), with my lady and our respective sons.

I felt that it was quite funny and that the special effects were excellent. Next to 'Avatar', the use of 3D was the best I have ever seen. It's a popcorn flick well-worth seeing. Though I haven't seen any other movies by Feig or starring McCarthy, it made me want to go back and give them a shot at some time in the near future. There was something for everyone--both my lady and I enjoyed it very much--and the boys, three and thirteen years-old respectively, loved it as well. Give it a shot.
A SCREEN ZEALOTS REVIEW www.screenzealots.com

There’s an arbitrary sense of nostalgia that unfairly permeates audience perceptions of the new female-centric “Ghostbusters” reboot. I love the original 1984 film too; I wore out my VHS cassette when I was a kid and I’ve probably seen the movie dozens of times, including special theatrical re-releases and anniversary screenings. It’s almost as if all of this animosity is seen as a badge of honor for ‘serious movie fans.’

All of this badmouthing is truly unwarranted, especially if you actually go back and rewatch the original. Sure, the movie has comedy legend Bill Murray, the hilarious Rick Moranis, and memorable performances from Harold Ramis, Sigourney Weaver and Dan Aykroyd. It introduced us to the characters we all still love decades later, and made lines like “tell him about the Twinkie” a permanent part of movie nerd vocabulary. But to all the haters I say this: you are being very, very unfair. The 1980s era film has a lot of boring sequences and lags quite a bit, and as is the case with many movies, sometimes our nostalgia creates pretty thick rose colored glasses. We tend to only remember the good in our childhood favorites.

Put aside your bias: the new “Ghostbusters” honors the legacy of the original, is a fun retelling of the classic story, and it does not disappoint. THIS MOVIE IS FUNNY! THIS MOVIE IS ACTUALLY GOOD!

There are a couple of minor hiccups along the way (as with most comedies, not every joke sticks, and the ghastly Missy Elliott / Fall Out Boy remake of the already awful Ray Parker Jr. song “Ghostbusters” makes an unwelcome appearance), but overall the movie is a success. At first it may feel weird to see women Ghostbusters but any skepticism will quickly fade (there’s a new generation of young girls who will undoubtedly be inspired by these characters).

When estranged childhood friends and paranormal enthusiasts Erin (Kristen Wiig) and Abby (Melissa McCarthy) reunite, sparks are rekindled and they decide to get back to their ghost chasing roots. The smartypants duo is joined by weirdo nuclear engineer Holtzmann (Kate McKinnon) and subway worker Patty (Leslie Jones). When Manhattan starts to experience boatloads of specter activity, the friends get started on some good old fashioned poltergeist hunting.

A big part of why this movie works is the comedic talent of these women; their chemistry is evident and they play well off each other, and the positive themes of loyalty and friendship never once feel fake. All of the actors are proficient at physical comedy and all have impeccable timing. This movie is very funny and the jokes had (and kept) me laughing from the beginning (there’s a particularly hilarious sequence at a heavy metal concert that’s worth the price of admission).

Rounding out the amusing performances is Chris Hemsworth as Kevin, a completely clueless stud muffin who is hired as the women’s receptionist solely based on his beefcake good looks. This feminist spin on the dumb secretary stereotype is exactly the type of lampoon I was hoping for here. In fact, the film doesn’t shy away from all of the lady haters either: there are lots of self-referential bits that directly address all of the critics (my favorite being Holtzmann’s ‘One of the Boys‘ t-shirt). Girl power!

Fans of the original will also appreciate several in-jokes and references, and there’s a long line of fun cameos (which I won’t spoil here: just keep your eyes open and be sure to stay through the end credits)! The special effects have been given a serious upgrade as well: these ghosts look real, feel real, and are appropriately scary-yet-funny. When the ladies first fired up their proton packs, I began cheering internally.

“Ghostbusters” is exactly what a summer movie is supposed to be. It’s big in scope, it’s full of hearty laughs, it’s filled with terrific performances from all of the leads, it’s stuffed with stunning special effects, and it’s something the entire family can enjoy. All of you naysayers really need to lighten up because this is a really, really fun movie.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
**The ghosts are real and the scientists are hunting them down!**

First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.

The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.

There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.

_6/10_
**The ghosts are real and the scientists are hunting them down!**

First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.

The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.

There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.

_6/10_
This movie was a huge disappointment! The only positive thing I can say about it is that the special effects where not half bad. The movie itself was childish, unfunny, unintelligent and generally really bad.

Some reviews giving this movie 9 or 10 stars (which is just ludicrous) are saying that people cannot handle the feminism in the movie. What feminism? Replacing the original actors with women is not feminism as far as I am concerned and anyway, if you care about such things should it not have been two women and two men to be politically correct? Also, the supposedly intelligent women in this movie behave in a typical old-fashioned Hollywood stereotype of women way. They are mostly downright silly. If I were a feminist I would actually have been insulted by this movie.

Then we have the male clerk that is dummer than a piece of rock. If someone had stacked four supposedly intelligent men and a single blond bimbo that is totally devoid of any trace of intelligence together in a movie the social justice warriors would have cried foul so loud that you could hear it across the planet. But since it is four women and a stupid male it is okay (not really). It is even feminism according to some people. What a load of bollocks.

There is actually a story in the movie although it is well hidden under the silly jokes and silly behavior. It is paper thin and rather silly in itself but it could have worked if the rest of the movie was up to snuff but sadly it is not.

As I wrote above the only good thing about this movie is the special effects. The few scenes that I actually enjoyed was during the big shoot out at the end which had some cool moments. I especially liked when Jillian pulls a pair of pistols out of her Ghostbuster suit and goes on a ghost killing spray.

Apart from that this movie is best forgotten.
This movie is horrible. It plays like an overly long SNL sketch. The only saving grace is that this lost so much money that there will not be a sequel. Unfortunately for the fans, this means that the franchise is likely dead in the water for a long time.
This movie is a disaster. The casting is way off. The special effects are mediocre. The story is merely a retread from the original... and they shoot the original logo in the crotch. There is nothing good about this production. What a waste of a perfectly good franchise.
As a male nerd who grew up in the 1980's watching both original movies and the cartoon, running around with my toy proton pack and catching imaginary ghosts in my basement, I should be of the demographic complaining about how this ruins my childhood or that a cast of all women is just a stunt in the name of political correctness, or whatever their issue is. But the truth is, I REALLY enjoyed this movie.

The four female leads were absolutely hilarious--especially Kate McKinnon who steals every scene she is in. The other three characters have more growth, more of a story arc, and are more fleshed out as people in general. But McKinnon makes the most out of the available material and creates a very fun and memorable character.

The comedy of the 2016 version, while equally effective, is completely different from the dry humor of the original. The absence of Dan Aykroyd's and Harold Ramis's ludicrously funny lines delivered with a straight face, and the deadpan humor of Bill Murray has been switched out with a more over-the-top and in-your-face style of humor. It's not as subtle. Ghostbusters (1984) made me chuckle; Ghostbusters (2016) made me laugh out loud.

While a lot of the original's comedy came from the ghosts themselves, i.e. that they're funny instead of legitimately scary, the new version reverses that. There is some very creepy imagery involving things like old timey parade balloons, ghosts pushing against mirrors, and other things that seemed inspired by American Horror Story. Plus, there were some good jump scares, boo moments, that actually caught me off guard.

Much like a guitar amp out of Spinal Tap, this film turns both the scares and the comedy up to 11 with great results.

I haven't had this much fun at a movie in a long time. The trailer is NOT a valid way to judge this film. The trailer seemed to splice together all the ineffective moments and jokes of the film. But those were the exceptions and not the rule. The rule here is fun, entertainment, laughs, and the occasional scare. When the film works, it works remarkably.

The only real misstep was Chris Hemsworth's character. While the gender role reversal of the hot blonde ditz secretary was brilliant and long overdue in a mainstream summer movie, he was just too dumb to be believable. The character of Kevin belonged in a cartoon and not a legitimate movie.

The best line in the movie references Jaws and Annie Potts' cameo made me cheer.

However...

If you've already decided you hate this movie without even seeing it, you probably won't like it. That's how these things usually work. But, if you have an open mind and are reserving judgement, I suggest you see it. You will be pleasantly surprised.

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The Legend of Tarzan 2016 filme kostenlos anschauen -720p-MPEG

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The Legend of Tarzan"




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Ehrentitel

The Legend of Tarzan 2016

Geltungsdauer

197 sehr klein

Auslöse-

2016-06-29

Beschaffenheit

MPG 720p
BRRip

Buchgattung

Action, Adventure

Programmiersprache

English

castname

Amina
E.
Valiant, Matthew K. Sibgha, Bambi D. Amia









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**Yep, this is a different Tarzan, an updated one.**

Recently the Indian jungle boy, the live-action Mowgli film was made and so its time for Africa's. This is not a Disney film and that's one of the disappointments for the Tarzan fans. Because this film is for the grown-ups only. It is rated PG13, but still I don't think the children would enjoy it like they did for the recent 'The Jungle Book' film. So it is like a DC film, I mean, DC makes superhero films for the grown-ups, unlike Marvel's. The bottom line is, don't expect it to be like a Disney film. Like the director said before the release, this is not the Tarzan from your father, grandfather's era, but an updated one with strong graphic violence.

So the story skips all the Tarzan's earlier life like from his childhood to adulthood parts. The film commences with Tarzan being settled in the UK. It's the second half of the 19th century, where the European colonies in the Africa are expanding for its rich natural resources. So in the Congo savanna, the natives welcome Tarzan for his short visit, but the things get ugly when his wife, Jane was kidnapped. Now he must fight back for her safe return and also avert other threats in the region from the foreign power.

There are many CGI character films were made at the recent time, it is a trend, but not all of them are impressive. This film looked average when it comes to vfx. The story was acceptable, the performances were decent, the casting too not bad, but Samuel L. Jackson was completely useless. He's one of the greatest sidekick Hollywood ever produced, but I don't know why he's in this project, his role was very silly.

In other hand, Alexander Skarsgard was good in the lead character and so Margot Robbie as Jane. The action sequences were not good as I expected. The film had a good runtime, but in some parts, it was slow or maybe you can say nothing interesting thing happens. I liked the idea, to update the theme, but they should have given more focus on the story. I hope if they plan another film, it should be a prequel. Because I feel there's lots to learn about the past than going forward. This is a one time watchable film, there's no surprises, just plain and partially entertaining.

_6/10_
This was the most underwhelming Tarzan movie that I have ever seen. A typical product of some Hollywood producer trying to make a "modern" take of Tarzan not really knowing or caring for the Tarzan that Edgar Rice Burroughs created. 

In particular it was the palest and most underwhelming Tarzan character yet. He never radiated the strength nor the intelligence that Edgar Rice Burroughs attributed to his character. He spent most of the movie going around with a bland look on his face.

The story itself is pretty much an out of the box standard Hollywood story about slavery and abuse of the black African population. Not truly bad but nothing to write home about either.

There is a lot of CGI in the movie and although quite a few reviewers seem to consider it bad I personally though it was pretty okay. One of the few decent bits of the movie.

I truly do not understand that they had the nerve to call this movie The Legend of Tarzan since it really is pretty far from the legend of Tarzan that Edgar Rice Burroughs created. This movie would perhaps have been okay as a one hour episode in a Tarzan TV-show but as a high budget feature movie it simply does not cut it. I was quite disappointed.

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American Hustle 2013 filme kostenlos anschauen -720p-AVCHD

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American Hustle"




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Überschrift

American Hustle 2013

Geltungsdauer

162 kurzer Entwurf

Befreiung,Entbindung

2013-12-12

Qualität

MP4 1440p
WEB-DL

Genre

Drama, Crime

Programmiersprache

English

castname

Owen
J.
Medina, Matheo L. Andy, Herman K. Rien









American Hustle 2013 American Hustle ganzer film deutsch, American Hustle online stream - Ganzer film, American Hustle ganzer film online stream - Deutsch



Good
American Hustle is has a heavy dose of Scorsese circa 1970s with the violence replaced more by black humour.

Christian Bale, Amy Adams, Jennifer Lawrence, Jeremy Renner and Bradley Cooper all deliver excellent performances. Robert De Niro makes a cameo and reminds the audience why he was at one time the best screen actor in the world.

This is a black comedy-drama set in the late 1970's based on the true life Abscam scandal. FBI agents and con artists joined up to frame politicians for taking bribes.

Bale plays a pot bellied hustler with bad hair. Amy Adams is his partner in crime who passes off as an English Aristocrat. Both have struck it rich in a scam where they dupe arrangement fees for loans that never come to fruition.

Cooper is the ambitious FBI agent with a big ego who has the the mafia in his sights and wants to reel in a big catch but he might be out of his depth.

Jeremy Renner is the charismatic Mayor of New Jersey. A man with a big heart who wants to get things done and Bale feels guilty about getting him involved in the sting operation.

Director David O Russell gets great performances from his cast but the film feels flabby which blunts the story and the humour feels stretched at times.

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The Edge of Seventeen 2016 filme kostenlos anschauen -720p-MPE

The Edge of Seventeen 2016 Online Anschauen Kostenlos



The Edge of Seventeen"




The Edge of Seventeen-Dolby Digital-2016-MPG-MPEG-1-auf italienisch-online anschauen-MPE-FLV-Bluray-Blu-ray-AVCHD-mit untertitel.jpg




Titulierung

The Edge of Seventeen 2016

Zeitdauer

125 kurzer Entwurf

Erlösung

2016-11-18

Eigenschaft

MPEG-2 720p
HDTV

Genre

Comedy, Drama

Programmiersprache

English

castname

Alyssia
Y.
Caner, Boissel U. Livio, Wallace K. Posie









The Edge of Seventeen 2016 The Edge of Seventeen ganzer film deutsch, The Edge of Seventeen online stream - Ganzer film, The Edge of Seventeen ganzer film online stream - Deutsch



"Shit. Underdeveloped? Overdeveloped? A good movie's a good movie."

- Ice T

_Final rating:★★★½ - I strongly recommend you make the time._
**Nothing is frustrating than losing a best friend!**

There are lots of stupid teen films in the recent time. But don't confuse it with them. It is a fine, sensible drama with some fun. It's a dream debut for the director. Being a woman and making a film on the same subject, especially teenager issue, really well investigated and turned into the beautiful film. Yeah, it is now one of the cult films and by the years pass on, it will gain more popularity with a certain group of people.

A teen girl who lost her close friend to her brother after they both falling in love which she did not approve. It's only the beginning of her worst life in her mid teenage. So now she has to find a way to turn her life around, or she can live her life as it is, but with complaints. The second half of the film is to cover her attempt to recovery, if she achieves one.

The surprise was, I anticipated normal teen comedy that targeted teens only. But it is almost for all ages, excluding the little ones for its strong thematic contents. Kind of inspiring and entertaining film. The casting was awesome. Hailee nailed it just like Ellen Page did for 'Juno'. Yeah, the people were comparing it with that film already. Very satisfying film on this particular theme and definitely a must see.

_8.5/10_

Straight Edge – Wikipedia ~ Die StraightEdgeSzene wurde in den Anfängen insbesondere vom Musiker Ian MacKaye geprägt Er gründete 1979 die TeeniePunkBand The Teen Idles die in der Szene von Washington rasch Popularität erreichte Ian MacKaye Bassist und Hauptsongwriter der Band war ein Fan des 1970erMachoRockers und Waffensammlers Ted Nugent mit dem er den drogenfreien Lebensstil teilte

Operation Protective Edge – Wikipedia ~ Die Operation Protective Edge hebräisch מִבְצָע צוּק אֵיתָן Mivtza Tzuk Eitan „Operation starker Fels“ „Operation Schutzlinie“ war eine Militäroperation der israelischen Verteidigungsstreitkrä begann am 8 Juli 2014 als Reaktion auf anhaltenden Raketenbeschuss Israels durch die Hamas und andere militante palästinensische Gruppen aus dem Gazastreifen

Adelaide Kane – Wikipedia ~ Leben Kane wurde in Claremont Western Australia geboren Sie schauspielert seit sie sechs Jahre alt ist Ende 2006 nahm sie an einem Wettbewerb des DollyMagazin teil in dem eine Nebenrolle in der australischen Seifenoper Nachbarn verlost wurde Sie gewann den Wettbewerb und war in der Serie als Lolly Allen von Januar bis Juni 2007 zu sehen Für diese Rolle zog sie zusammen mit ihrer

Hailee Steinfeld – Wikipedia ~ Hailee Steinfeld r 1996 in Tarzana Los Angeles Kalifornien ist eine USamerikanische Schauspielerin und Sä wurde sie vor allem durch ihre Rolle der Mattie Ross im 2010 veröffentlichten Spielfilm True wurde für mehrere Filmpreise nominiert Als Sängerin erreichte sie mit ihren Songs mehrere Chartplatzierungen

Paul Wesley – Wikipedia ~ Leben Paul Wesley wurde am 23 Juli 1982 in New Brunswick im USBundesstaat New Jersey geboren und wuchs im Marlboro Township auf Seine Eltern Agnieszka und Thomas Wasilewski waren kurz vor seiner Geburt aus Polen in die Vereinigten Staaten ausgewandert Er hat eine ältere Schwester Monika sowie zwei jüngere Schwestern Julia und Leah

Freeform – Wikipedia ~ Geschichte des Senders Der Sender ging am 29 April 1977 als Ableger von Pat Robertsons Christian Broadcasting Network CBN unter dem Namen CBN Satellite Service auf Sendung und änderte erstmals 1981 den Namen in CBN Cable auf das – im Gegensatz zu anderen Kabelsendern – besonders familienfreundliche Programm hinzuweisen wurde der Sender am 1

James Arthur Sänger – Wikipedia ~ James Andrew Arthur 2März 1988 in Middlesbrough England ist ein britischer Sänger Musiker und Rapper 2012 gewann er die neunte Staffel der Castingshow The X Factor

Chris Brown Sänger – Wikipedia ~ Nachdem Brown 2004 seinen Plattenvertrag bei Jive Records unterschrieben hatte begann er im Februar 2005 mit den Aufnahmen zu seinem Debütalbum Bis Mai wurden so circa 50 Lieder aufgenommen von denen 14 auf die Titelliste seines ersten Studioalbums genommen wurden

Emily Blunt – Wikipedia ~ Leben und Karriere Emily Blunt wurde als Tochter eines Anwalts und einer Lehrerin geboren Sie wuchs mit drei weiteren Geschwistern in Roehampton auf und begeisterte sich früh für das Singen und Cellospiel ehe sie sich als Jugendliche durch Zufall der Schauspielerei 16Jährige kam sie in das renommierte Internat Hurtwood House wo sie sich zum Spaß der Theaterarbeit widmete

Carrie Fisher – Wikipedia ~ Fisher starb am 27 Dezember 2016 im Alter von 60 Jahren Sie hatte vier Tage zuvor gegen Ende eines Fluges von London nach Los Angeles einen Herzstillstand Erste Ermittlungen zur genauen Todesursache brachten kein Ergebnis


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Les Misérables 2012 filme kostenlos anschauen -720p-DTS

Les Misérables 2012 Online Anschauen



Les Misérables"




Les Misérables-MPEG-2012-WEBrip-DVD-online anschauen-uncut-DVD-MP4-untertitel-deutsch-720p-untertitel.jpg




Überschrift

Les Misérables 2012

Zeitdauer

131 winzig

Abgabe

2012-12-18

Qualität

MPEG-2 1080p
HDTS

Genre

History, Drama

Programmiersprache

English

castname

Fanetta
M.
Freeda, Morris E. Fatouma, Élie S. Jairaj









Les Misérables 2012 Les Misérables ganzer film deutsch, Les Misérables online stream - Ganzer film, Les Misérables ganzer film online stream - Deutsch





Les Misérables 2012 Stream,Les Misérables 2012 Film,Les Misérables 2012 Blu Ray,Les Misérables 2012 Englisch,Les Misérables 2012 Ganzer Film Deutsch,Les Misérables 2012 Italienisch,Les Misérables 2012 Stream Hd,Les Misérables 2012 Download,Les Misérables 2012 Ganzer Film,Les Misérables 2012 Online Stream,Les Misérables 2012 Hd Stream,Les Misérables 2012 Auf Englisch,Les Misérables 2012 Auf Italienisch,Les Misérables 2012 Untertitel,Les Misérables 2012 Online Schauen,Les Misérables 2012 Uncut,Les Misérables 2012 Online Anschauen Kostenlos,Les Misérables 2012 Mit Untertitel Stream,Les Misérables 2012 Online Anschauen,Les Misérables deutsche filme online, Les Misérables filme stream kostenlos, Les Misérables kinofilme online sehen, Les Misérables gratis filme anschauen, Les Misérables freie kinofilme, Les Misérables filme im internet ansehen, Les Misérables filme ganze länge deutsch, Les Misérables ganze kinderfilme deutsch, Les Misérables filme ansehen kostenlos, Les Misérables komplette filme, Les Misérables filme online schauen, Les Misérables online filme anschauen kostenlos, Les Misérables filme legal anschauen, Les Misérables filme online schauen kostenlos deutsch, Les Misérables kinofilme online kostenlos, Les Misérables kostenlos filme online anschauen, Les Misérables ddr spielfilme in voller länge, Les Misérables filme online kostenlos anschauen
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Love 2015 filme kostenlos anschauen -720p-AVI

Love 2015 Mit Untertitel Stream



Love"




Love-kostenlos-2015-FLA-DVDrip-WMV-MPEG-1-deutsch-VHSRip-MPG-AVCHD-ganzer film-kostenlos.jpg




Überschrift

Love 2015

Geltungsdauer

113 minutiös

Freistellung

2015-07-06

Eigenschaft

Dolby Digital 720p
HDRip

Genre

Drama, Romance

Jargon

English

castname

Lainnie
N.
Questa, Siarah H. Gano, Damien T. Taleah









Love 2015 Love ganzer film deutsch, Love online stream - Ganzer film, Love ganzer film online stream - Deutsch




Love – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Love Story – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Love Hotel – Wikipedia ~ Das Love Hotel jap ラブホテル rabu hoteru umgangssprachlich ラブホ rabuho ist eine besondere Art des Stundenhotels in Japan und gleichzeitig ein wichtiges Element der modernen japanischen Alltagskultur Der Besuch eines solchen Etablissements gilt in Japan nicht unbedingt als anrüchig auch wenn es von Prostituierten und für außereheliche Affären benutzt werden kann

Courtney Love – Wikipedia ~ Courtney Love 1964 in San Francisco Kalifornien eigentlich Courtney Michelle Harrison ist eine USamerikanische Rocksängerin Gitarristin Liederschreiberin und spielt in der Band Hole Sie ist die Witwe des NirvanaSängers Kurt Cobain mit dem sie eine Tochter Frances Bean Cobain 1992 hat

Mike Love – Wikipedia ~ Musik mit den Beach Boys Love gründete 1961 mit seinen Cousins Carl Wilson Dennis Wilson Brian Wilson und dessen Schulfreund Alan Jardine die Beach fungierte als Leadsänger und lieh vielen Hits der Beach Boys seine Stimme

Kevin Love – Wikipedia ~ Kevin Wesley Love er 1988 in Santa Monica Kalifornien ist ein USamerikanischer Basketballspieler der bei den Cleveland Cavaliers in der NBA auf der Position des Centers spielt Er ist vierfacher AllStar und hat seine Stärken bei Punkten und Rebounds sodass er häufig DoubleDoubles erzielt

Brianna Love – Wikipedia ~ Karriere Love begann ihre Karriere als Stripperin in Missouri nachdem sie während ihrer Kindheit oft umgezogen äter zog sie nach Las Vegas wo sie sich für eine Karriere in der Hardcorefilmbranche entschied In ihrem ersten Jahr drehte sie nur GirlGirlSzenen Dann arbeitete sie für zwei Jahre exklusiv für Red Light District Video bevor sie Freelancer wurde

Love Boat – Wikipedia ~ Love Boat Originaltitel The Love Boat ist eine USamerikanische Fernsehserie die zunächst von Aaron Spelling Productions dann von der Douglas S Cramer Company und schließlich von der The Love Boat Company von 1977 bis 1986 produziert wurde

Love Me Do – Wikipedia ~ Mit dieser Single begann die äußerst erfolgreiche Zusammenarbeit mit dem Produzenten George Martin der hier den Mut hatte beide Seiten der Debütsingle einer unbekannten Gruppe mit deren Eigenkompositionen zu veröffentlichen Es existieren drei unterschiedliche Aufnahmen des Stücks mit drei verschiedenen Schlagzeugern

Jennifer Love Hewitt – Wikipedia ~ Jennifer Love Hewitt 1979 in Waco Texas ist eine USamerikanische Schauspielerin und Sä Deutschland wurde sie vor allem durch die Rolle der Sarah Reeves bekannt die sie in den Serien Party of Five und New York Life – Endlich im Leben spielte Große Popularität erlangte Jennifer Love Hewitt auch durch ihre Hauptrolle in den ersten beiden Teilen von Ich weiß was


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The Lego Movie 2014 filme kostenlos anschauen -720p-M1V

The Lego Movie 2014 Mit Untertitel Stream



The Lego Movie"




The Lego Movie-TVrip-2014-1080p-BRRip-ganzer film-WEBrip-italienisch-film-online schauen-mit untertitel-online stream-DVDScr.jpg




Adelstitel

The Lego Movie 2014

Dauer

156 Sitzungsprotokoll

Abgabe

2014-02-06

Eigenschaft

AVI 720p
HDTS

Buchgattung

Adventure, Animation, Comedy, Family, Fantasy

Programmiersprache

English

castname

Seydou
J.
Léopold, Kile S. Rachana, Reault A. Qaswa









The Lego Movie 2014 The Lego Movie ganzer film deutsch, The Lego Movie online stream - Ganzer film, The Lego Movie ganzer film online stream - Deutsch



Excellent movie for Legos ;) . Great for the whole family as well as adults. I had quite a few chuckles from this film and enjoyed it the whole way. Animation was great and the movie had a fairly decent plot as well. I give it 2 thumbs up, I could see myself watching this a second or third time with the familiy.
If you're Lego you will love this movie.

Pentax K3 – Wikipedia ~ Bajonett und Objektive Das K AF2Bajonett ist rückwärtskompatibel mit allen KBajonettObjektiven die seit 1975 gebaut e zur Ansteuerung von Objektiven mit Fokussierung per Ultraschallmotor sind vorhanden Daneben verfügt die K3 über einen gehäuseinternen Autofokusmotor welcher PentaxAFObjektive ohne eigenen Motor antreibt

Liste von Fluggesellschaften – Wikipedia ~ Dieser Artikel beinhaltet eine Auflistung aktiver Fluggesellschaften Eine Ordnung nach Größe findet sich auf der Liste der größten Fluggesellschaften der Welt Ehemalige Gesellschaften sind in der Liste ehemaliger Fluggesellschaften aufgeführt

AbkürzungenLuftfahrtL–R – Wikipedia ~ Dies ist der vierte Teil der Liste AbkürzungenLuftfahrt Liste der Abkürzungen

Akutes Nierenversagen – Wikipedia ~ Das akute Nierenversagen kann an oligo oder polyurisch sein Um die Exkretionsleistung der Nieren einzuschätzen werden die sog Retentionswerte herangezogen wobei es sich um die Konzentrationen von Harnstoff und Kreatinin im Serum handelt Diese Substanzen die Endprodukte des Eiweißstoffwechsels darstellen wirken selbst nicht giftig


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Lion 2016 filme kostenlos anschauen -720p-AVCHD

Lion 2016 Ganzer Film Deutsch



Lion"




Lion-M2V-2016-ganzer film-online anschauen-HDTV-Dolby Digital-uncut-DVD-HDTV-1440p-untertitel-italienisch.jpg




Name

Lion 2016

Zeitdauer

169 sehr klein

Befreiung,Entbindung

2016-11-24

Güte

DTS 1440p
BDRip

Genre

Drama

Ausdrucksweise

বাংলা, English, हिन्दी

castname

Bureau
Q.
Bianca, Mubarak A. Gavreau, Madden V. Malek









Lion 2016 Lion ganzer film deutsch, Lion online stream - Ganzer film, Lion ganzer film online stream - Deutsch



An interesting true story. Film starts well and ends well. In the middle, there is a rapid acceleration from being a boy to being a man that misses out on a lot of an explanation as to how he ended up being the person he was. Quite boring in the middle of the film, which is a shame since the young actor was excellent.
**Lost in India, found in Australia!**

Based on the book 'A Long Way Home' that tells the story of a young Indian boy who lost his brother in a railway station in the night and the next morning he woke up thousands kilometers away from home. Not knowing the language or the address and the names of his family, he struggled from various threats in the society. After that he got adopted from an Australian family and the rest of the film revolved on his true identity. Haunted by his past, how he rediscovered his originality was emotionally told.

Very impressive film. The families should not miss it. Even though it is a must see by all ages. I am not a big fan of Dev's performances, even in his debut film 'Slumdog Millionaire'. After that success, he had survived in the film industry doing decent roles, for like a decade. But it was 'The Man Who Knew Infinity' that changed his career. For the first time I liked him very much in that, and again he was pretty impressive in this. The second best performance in his career. Though his part comes only after the half way mark. Yet in that one hour, he did great, particularly in the sentiments.

I was wondering why it was called 'Lion'. And I got answered only just before the end credit. So you should be patient to learn why, if you are yet to see it. It was not until the 90s the India began to see a real change. This story takes place in the mid 80s, only the opening half and those parts were raw and cruel, especially in the eyes of an 8 year old boy. That kid was so good. Just like Jacom Tremblay, a year before who impressed us with his performance from the film 'Room'.

It was a feature film debut for the director and he was wonderful in this attempt. The film splits into two, the first half was about lost and the following half is about finding the road back to the home. Less dialogues, but well written in those necessary parts. The music was good. Only negative was the film was out of depth. Yeah, all the events were like fast forward. If they had focused on details, the narration would have reached at least 3 hours. Especially I wanted the Australian mother's perspective on how she went through to raise those kids.

Now I'm waiting for the 2020. I mean 2008 was SDM, 2012 was LoP and 2016 was this one. The 4 years later, surely there will be another India related western film would come. Despite this film nominated for the 6 Oscars, it had won nothing. That's very sad. Overall, I strongly suggest it. One of the best films of the Year.

_9/10_

Hellblau – Wikipedia ~ Lichtblau ist fein grünstichig etwa wie die Borretschblüte Kupfersulfat Kupfervitriol oder der Himmel am Morgen wenn die Rotanteile des Sonnenlichts stärker ausgefiltert werden Siehe hierzu Warum ist der Himmel blau RALWert ist RAL 5012 Farbmittel Im Allgemeinen ist die Farbe heller als Bergblau oder Herstellung kann als Ausgangsfarbstoff auch Anilinblau dienen

L’TUR – Wikipedia ~ Die ltur GmbH ist ein Reiseveranstalter mit Sitz in Rastatt Das Unternehmen wurde 1987 von Karlheinz Kögel gegründet Es bietet last minuteReisen in die ganze Welt an ltur hat 140 Verkaufsstellen in Deutschland Österreich der Schweiz Frankreich und Polen Im Geschäftsjahr 20162017 erzielte ltur einen Umsatz von 415 Millionen Euro

Liesing Schwechat – Wikipedia ~ Die Liesing auch Liesingbach ein 30 km langer Fluss entspringt im niederösterreichischen Wienerwald durchfließt dann die Stadt Wien wo der Bach dem 23 Wiener Gemeindebezirk Liesing seinen Namen gibt und mündet wieder in Niederösterreich bei Schwechat in die Schwechat

Neotantra – Wikipedia ~ Entstehung und Gedankengut Der indische Philosoph Bhagwan Shree Rajneesh genannt „Osho“ propagierte unter dem Begriff NeoTantra eine Verbindung von Spiritualität und Sexualität als eine zeitgemäße Form von Tantra Diese Lehre besagt dass mittels Meditation die sexuelle Energie des Beckenbereiches geweckt und zu einem „kosmischen Bewusstsein“ transformiert werden könne

LBank – Wikipedia ~ Die LBank vollständige Bezeichnung Landeskreditbank BadenWürttemberg – Förderbank ist das Landesförderinstitut des Landes BadenWürttemberg und ein deutsches Kreditinstitut in der Rechtsform einer Anstalt des öffentlichen Rechts mit Sitz in Karlsruhe und einer Niederlassung in Stuttgart

L’Estartit – Wikipedia ~ L’Estartit ist ein Ferienort und früheres Fischerdorf an der Costa Brava in Spanien in dem sich erst seit etwa den 1960er Jahren Tourismus herausgebildet hat Es ist ein Teilort von Torroella de Montgrí mit 3230 Einwohnern 2011 L’Estartit befindet sich am Übergang von einer felsigen Steilküste zu einem zehn Kilometer langen feinen Sandstrand in der Tiefebene des Flusses Ter der

Jesse L Martin – Wikipedia ~ Jesse Lamont Martin Lamont Watkins 1969 in Rocky Mount Virginia USA ist ein amerikanischer Film Fernseh und bekannteste Rolle ist die des „Detective Ed Green“ in der Krimiserie Law Order Leben Er wurde in Rocky Mount in den Blue Ridge Mountains als jüngster von fünf Söhnen von Lastwagenfahrer Jesse Reed Watkins und college

Paul L Smith – Wikipedia ~ Paul L Smith 1939 in Everett Massachusetts † 25 April 2012 in Ra’anana Israel war ein amerikanischer wurde durch diverse ItaloWestern und Komödien bekannt Meist übernahm er Rollen die zu seinem stämmigen Körperbau passten sowie solche als Bösewichte

SteckerTyp L – Wikipedia ~ Aufbau Spannung und Strom Es existieren zwei Varianten des Stecksystems Beide Varianten besitzen zwei runde Kontaktstifte für Außenleiter und Neutralleiter deren Schaft isoliert der Mitte ist ein weiterer gleich langer aber nicht isolierter Kontaktstift für den Schutzkragen um die Steckdose ist nicht vorgesehen Kupplungen an Verlängerungskabeln und

Bloomberg – Wikipedia ~ Bloomberg ist ein von Michael Bloomberg im Jahre 1981 gegründetes Informationsdienstleistungs Nachrichten und Medienunternehmen mit Hauptsitz in New York bpb stufte das Unternehmen auf Rang 22 der weltweit größten Medienunternehmen Stand 2011


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Django Unchained"




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Überschrift

Django Unchained 2012

Dauer

129 Besprechungsprotokoll

Befreiung,Entbindung

2012-12-25

Eigenschaft

MPG 720p
HDRip

Gattung

Drama, Western

Jargon

English, Français, Deutsch

castname

Moulin
C.
Daviau, Sabeena A. Miracle, Rozier J. Shawn









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America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

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